The films gathered for Urban Observations, Tehran: What Kind of Modern? (co-selected with Vali Mahlouji) presented Tehran as it stands today: an unwieldy metropolis with all the tensions and divides but also brimming with political frustrations and pent up energies of thwarted individual and collective dreams of several generations. Participating artists included Solmaz Shahbazi, Shirin Sabahi, Farhad Ahrarnia, Hadi Fallahpisheh, Farahnaz Sharifi. Supported by Arts Council England
With all the politically issues and social animosity surrounding Iran today, the Islamic Republic ha...
The “New Wave” of Iranian cinema witnessed in the 1960s alongside other global movements, with films...
This research has proposed Iran’s traditional art of Pardeh-khani as a suitable and applicable mode...
Public programme as part of the parallel exhibition at MARSistanbul, Metaphorical Space, co-organi...
London Calling Tehran, a portfolio of work by seventeen London based artists, was presented in 7sama...
Films often provide a unique sense of the city, unavailable through other media. The relationship be...
"Cinematic Modernity: Cosmopolitan Imaginaries in Twentieth Century Iran" explores the 'genesis amne...
The Cinema of Iran or Cinema of Persia refers to the cinema and film industries in Iran which produc...
This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the ma...
In June and July 1999 the National Film Theatre in London screened over 50 Iranian films, made befor...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
In Iran, the urban transformation was mostly related to politically motivated uprisings. Not only an...
Life in Tehran proliferates and thrives in its interiors. When public space is policed and controlle...
'Border' and 'Tehran 2006' are two related parts of a photographic project on Iran dealing with hard...
This volume brings together scholarship from both established scholars and early career academics to...
With all the politically issues and social animosity surrounding Iran today, the Islamic Republic ha...
The “New Wave” of Iranian cinema witnessed in the 1960s alongside other global movements, with films...
This research has proposed Iran’s traditional art of Pardeh-khani as a suitable and applicable mode...
Public programme as part of the parallel exhibition at MARSistanbul, Metaphorical Space, co-organi...
London Calling Tehran, a portfolio of work by seventeen London based artists, was presented in 7sama...
Films often provide a unique sense of the city, unavailable through other media. The relationship be...
"Cinematic Modernity: Cosmopolitan Imaginaries in Twentieth Century Iran" explores the 'genesis amne...
The Cinema of Iran or Cinema of Persia refers to the cinema and film industries in Iran which produc...
This paper aims to study the imagination of Tehran through 1340s and 1350s Iranian cinema and the ma...
In June and July 1999 the National Film Theatre in London screened over 50 Iranian films, made befor...
Iran has a long history of cinema. In fact, this year it celebrates its ninety-first year as a major...
In Iran, the urban transformation was mostly related to politically motivated uprisings. Not only an...
Life in Tehran proliferates and thrives in its interiors. When public space is policed and controlle...
'Border' and 'Tehran 2006' are two related parts of a photographic project on Iran dealing with hard...
This volume brings together scholarship from both established scholars and early career academics to...
With all the politically issues and social animosity surrounding Iran today, the Islamic Republic ha...
The “New Wave” of Iranian cinema witnessed in the 1960s alongside other global movements, with films...
This research has proposed Iran’s traditional art of Pardeh-khani as a suitable and applicable mode...
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