Interventions in woman as spectacle: the political economy of desire in late capitalist societies

How do we discuss female sexual empowerment as feminists in this third wave political moment given the multiplicity of female sexual desires and the multiplicity of women's identities? To what degree can women make spectacles out of themselves and such a project be read as transgressive? This thesis examines debates surrounding feminist visions of female sexualities. The project questions the concept of desire as a self producing entity resistant to social critique in late capitalist contexts and examines how desire has replaced labor as commodity in late capitalist societies. It shifts the discussion on desire away from conceptions of it as autonomous performance and towards materialist feminist understandings of desire as materially produced. Must desire be historicized in the third wave political moment? Besides addressing these questions, this thesis attempts to radically divorce desire, lust, and pleasure from biological, ahistorical, free-standing conceptualizations and view them as historically and culturally constructed rather than as natural, trans-cultural phenomena. This thesis is a nexus of conversations between materialist feminists and poststructuralist feminists to better understand critiques of western sex radical movements as well as the tension regarding where the economic and the discursive belong in politics of revolt. This thesis attempts to reclaim a radical sense of sexual ethics in feminism. To this end, this project engages feminist discussions concerning sexual freedom and sexual justice. (Published By University of Alabama Libraries