This project explores how tombs and monuments erected for the dead function in the early modern playhouse, both when used as stage locations in dramatic scenes and when invoked imaginatively by characters grappling with questions of identity, social position, and legacy. I examine Elizabethan and Jacobean plays, other contemporary writings about tombs, and surviving stone monuments of the period in order to contribute to an understanding of the complex ways early moderns viewed commemoration, memory, and their own mortality. Tombs of this era served to preserve information about the dead and to offer moral instruction to the living. The combination of text, symbols, and images on tombs conveyed information to both literate and illiterate al...