Add to ORKGArticle on Charles Sawyer, a long time resident of Farmington, and his handpainted photographs of rural Maine, which are valuable collectors\u27 items today. Sawyer\u27s chief colorist in his Maine years was Nellie Farmer, also of Farmington. When Sawyer moved to New Hampshire, Nellie went with him to train the colorists, chief among whom was Gladys Towle. Charles Sawyer died in 1954, and his son, Harold took over the company, but Gladys Towle retired in 1972, and the studio closed in 1980. The hand coloring of the prints means that each of the early ones is by definition unique
This 1904 newspaper article describes the handiCraft Revival flourishing in places around the southe...
Narrative by Junebug Clark: Caption is from December 30, 1982, Farmington, Michigan. Type written ph...
Reprint of an excerpt that appeared in Norman Rockwell, Illustrator, by Arthur L. Guptill, origina...
Article on painter Edward Hopper, with a focus on the influence the state of Maine played in his suc...
Maine has always played a rich and varied role in the art of photography. For over a century, photog...
Article on painting Maine seascapes, with a focus on the historical works of Charles H. Woodbury, Wi...
Article on the fourth annual celebration of the Carl Sprinchorn Admiration Society, hosted by Christ...
Profile of Dennis and Martha Marty Gleason, owners of Gleason Fine Art in Boothbay, a first-rate g...
An article on photographer Lewis Wickes Hine of Wisconsin, who came to Maine in 1909 and 1911 for th...
A photographic reproduction of an image of artist Carl Sprinchorn. The back reads To Esther from ...
Article on the painter Gretchen Dow Simpson, who first visited Maine at the age of 12. Simpson star...
The article discusses an exhibit called A Century of Portland Painters at the Portland Museum of Art
Before Newport became a fashionable summer resort, it was a gathering place for scientists, intellec...
First conceived as a photograph, this etching represents the collaboration of two artists for the sa...
In the late 1970s, Charles McLane began Islands of the Mid-Maine Coast, which, with his wife Carol...
This 1904 newspaper article describes the handiCraft Revival flourishing in places around the southe...
Narrative by Junebug Clark: Caption is from December 30, 1982, Farmington, Michigan. Type written ph...
Reprint of an excerpt that appeared in Norman Rockwell, Illustrator, by Arthur L. Guptill, origina...
Article on painter Edward Hopper, with a focus on the influence the state of Maine played in his suc...
Maine has always played a rich and varied role in the art of photography. For over a century, photog...
Article on painting Maine seascapes, with a focus on the historical works of Charles H. Woodbury, Wi...
Article on the fourth annual celebration of the Carl Sprinchorn Admiration Society, hosted by Christ...
Profile of Dennis and Martha Marty Gleason, owners of Gleason Fine Art in Boothbay, a first-rate g...
An article on photographer Lewis Wickes Hine of Wisconsin, who came to Maine in 1909 and 1911 for th...
A photographic reproduction of an image of artist Carl Sprinchorn. The back reads To Esther from ...
Article on the painter Gretchen Dow Simpson, who first visited Maine at the age of 12. Simpson star...
The article discusses an exhibit called A Century of Portland Painters at the Portland Museum of Art
Before Newport became a fashionable summer resort, it was a gathering place for scientists, intellec...
First conceived as a photograph, this etching represents the collaboration of two artists for the sa...
In the late 1970s, Charles McLane began Islands of the Mid-Maine Coast, which, with his wife Carol...
This 1904 newspaper article describes the handiCraft Revival flourishing in places around the southe...
Narrative by Junebug Clark: Caption is from December 30, 1982, Farmington, Michigan. Type written ph...
Reprint of an excerpt that appeared in Norman Rockwell, Illustrator, by Arthur L. Guptill, origina...