オンカイロン ト ポピュラー オンガク ケンキュウ : コイズミ フミオ ニヨル カヨウキョクロン ノ リロンテキ ゼンテイ

In this paper, it is discussed that Fumio Koizumi\u27s famous studies in Japanese popular music have some problems. His studies have been influential in the Japanese musicological studies in popular music, and the method in that studies is mainly based on a theory of musical scales that used in the succeeding study by Yoshiaki Sato. Sato\u27s study is better for explaining how some scales of Japanese popular music have taken roots, than Koizumi\u27s, But Sato\u27s study has same problem in Koizumi\u27s, which became clear at Sato\u27s appearance in a famous T.V. news show program, "News Station." Studies based on a theory of musical scales often cut the music to abstract entities which are not heard by audience, so the studies will fail to catch a whole of the musical event. This paper suggests that popular music studies should stare on three levels of productive/neutral/receptive in a music event, not accord a privilege to "music itself."国立情報学研究所『研究紀要公開支援事業』により電子化