Every era has its basic tasks that must be performed. The issues to be solved are ‘in the air’; they are generated by the era; they are components of the spirit of the age. The question generated by the time (the middle of the 20th century) was: that whether the only way to reveal the truth would be the method of natural sciences (also applied by the history of architecture), or such experiences of the truth existed that could reach the surface only by means of art, philosophy or history. On these basic questions that change period by period, the different areas of arts and sciences and philosophy work almost always in parallel.Zoltán Szentkirályi wrote his paper Some issues of the evaluation of the Baroque in 1964. The opus magnum of Hans-...
AbstractThe disciplines of architecture and music interact with each other throughout history. Works...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
In 1993, Gyula Hajnóczi added supplementary thoughts to Lajos Fülep’s earlier interpretation of Memo...
Between 1880 and 1930, European and American modernists connected to the theater became fascinated w...
The historiography of the baroque has involved concepts and periodization drawn from religious and p...
Analysing the original drawings of Frigyes Schulek’s Calvinist Reformed Church in Szeged from 1882 k...
This paper discusses the aims and one of the issues of a larger study of the 20th century historiogr...
Juhan Maiste: Kadriorg: the Spirit of Baroque and the Willof Genius. A Palace on the Edge of the Thi...
From the moment that Central-European culture at the end of the nineteenth century developed art his...
The political element in art history has often played a crucial role and has been individuated as su...
The paper presents relations between form and function in the architecture on few selected examples ...
The paper questions the complex relations between Jansenism, Catholic Enlightenment, and visual cult...
In this contribution the problematic relationship of architecture and history is illustrated through...
We use the terms classical and modern naturally in everyday practice. One, usually to refer to etern...
AbstractThe disciplines of architecture and music interact with each other throughout history. Works...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
In 1993, Gyula Hajnóczi added supplementary thoughts to Lajos Fülep’s earlier interpretation of Memo...
Between 1880 and 1930, European and American modernists connected to the theater became fascinated w...
The historiography of the baroque has involved concepts and periodization drawn from religious and p...
Analysing the original drawings of Frigyes Schulek’s Calvinist Reformed Church in Szeged from 1882 k...
This paper discusses the aims and one of the issues of a larger study of the 20th century historiogr...
Juhan Maiste: Kadriorg: the Spirit of Baroque and the Willof Genius. A Palace on the Edge of the Thi...
From the moment that Central-European culture at the end of the nineteenth century developed art his...
The political element in art history has often played a crucial role and has been individuated as su...
The paper presents relations between form and function in the architecture on few selected examples ...
The paper questions the complex relations between Jansenism, Catholic Enlightenment, and visual cult...
In this contribution the problematic relationship of architecture and history is illustrated through...
We use the terms classical and modern naturally in everyday practice. One, usually to refer to etern...
AbstractThe disciplines of architecture and music interact with each other throughout history. Works...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...
The essay investigates the way Strzygowski, Dvořák and Tietze interpreted contemporary architecture,...