Musical instruments, many of them in the percussion family, are among the cultural goods brought across the Black Atlantic during the periods of colonization. As New World cultures and traditions developed, these instruments developed their own identities and stories within these new social contexts. This study seeks to show how several key factors surrounding the berimbau—a Brazilian musical bow of African origin and modest beginnings—situated it as a global musical and cultural phenomenon. It also establishes a need to reframe the berimbau`s codification in music as an instrument of creativity and virtuosity, and a need to reframe its representation as a spiritual symbol, a tactile embodiment of a resistance movement, and a global commodi...
African colonialism severely stunted the advancement of Afro-indigenous science, technology, politic...
The paper presents the broad intangible dimension of a tangible object, the machete guitar, which tr...
Musical instruments in the Mercado Modelo. Studies have identified twenty-five Brazilian instruments...
Taken to Brazil as slaves through the Transatlantic slave trade, various groups of people from the p...
Combining historical, organological, ethnographic, and musical analysis, this article explores the r...
Arco musical con resonador-sonaja de vaso.De origen africano, fue introducido y difundido en el Bras...
This article presents the partial results of a dissertation entitled The role of music in the intern...
Comparison of contemporary African and so-called African-Brazilian musics is possible to a limited e...
Teaching ResourceTeaching ResourceCapoeira demonstration (Salvador) accompanied by atabaques the pan...
Este trabalho pretende analisar e demonstrar como as tópicas musicais afro-brasileiras são um exempl...
Musical instruments are an intrinsic part of culture accompanying people as an essential factor in s...
Abstract Although the berimbau is widely acknowledged today as part of capoeira - in Brazil and arou...
Since its first presentation in the Eighteenth Century (ca. 1780) during the so-called "Civilização ...
O objetivo principal desta dissertação é o de recuperar a dimensão atlântica da história social das ...
The use of keyboard percussion instruments in choro, one of the earliest forms of Brazilian popular ...
African colonialism severely stunted the advancement of Afro-indigenous science, technology, politic...
The paper presents the broad intangible dimension of a tangible object, the machete guitar, which tr...
Musical instruments in the Mercado Modelo. Studies have identified twenty-five Brazilian instruments...
Taken to Brazil as slaves through the Transatlantic slave trade, various groups of people from the p...
Combining historical, organological, ethnographic, and musical analysis, this article explores the r...
Arco musical con resonador-sonaja de vaso.De origen africano, fue introducido y difundido en el Bras...
This article presents the partial results of a dissertation entitled The role of music in the intern...
Comparison of contemporary African and so-called African-Brazilian musics is possible to a limited e...
Teaching ResourceTeaching ResourceCapoeira demonstration (Salvador) accompanied by atabaques the pan...
Este trabalho pretende analisar e demonstrar como as tópicas musicais afro-brasileiras são um exempl...
Musical instruments are an intrinsic part of culture accompanying people as an essential factor in s...
Abstract Although the berimbau is widely acknowledged today as part of capoeira - in Brazil and arou...
Since its first presentation in the Eighteenth Century (ca. 1780) during the so-called "Civilização ...
O objetivo principal desta dissertação é o de recuperar a dimensão atlântica da história social das ...
The use of keyboard percussion instruments in choro, one of the earliest forms of Brazilian popular ...
African colonialism severely stunted the advancement of Afro-indigenous science, technology, politic...
The paper presents the broad intangible dimension of a tangible object, the machete guitar, which tr...
Musical instruments in the Mercado Modelo. Studies have identified twenty-five Brazilian instruments...