Three jazz trombone solo improvisations from 1953 were transcribed and analyzed: Lover, performed by Jack Teagarden, Turnpike, performed by J. J. Johnson, and Frank Speaking, performed by Frank Rosolino. Brief biographical information on each trombonist was presented, as was information on literature related to the study, and a method of analysis. Melody, harmony, rhythm, and stylistic inflection of each solo were discussed, and musical examples from the improvisations were cited to provide emphasis. After analysis, the three solos were compared and contrasted using the above criteria of melody, harmony, rhythm, and stylistic inflection. The conclusion states that while many stylistic similarities and differences exist between the thr...
This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, ...
Many of today's trombonists are proficient in several musical styles. This report examines the impor...
The main goal of this dissertation was to demonstrate Joe Henderson as a seminal figure in jazz hist...
One continuing trend in solo trombone literature is the combination of classical and contemporary st...
A significant body of solo literature for the trombone has been written in the last fifty years that...
This lecture-recital investigated the lineage of French composers who were influenced by jazz during...
The purposes of the essay are to transcribe and analyze selected solos from the 1964 J. J. Johnson r...
The purposes of this essay are to (1) document and preserve, within the academic community, the uniq...
A significant body of solo literature for the trombone has been written in the last fifty years that...
This study is a comparative examination of the musical lives and improvisational styles of jazz trum...
The purpose of this essay is to analyze the playing styles of jazz trombonists Conrad Herwig and Ste...
This essay contributes to the small body of jazz trombone literature by examining the life, recordin...
The purpose of this thesis was to investigate trombonist Andy Martin. He has not received enough rec...
The purposes of this essay are to (1) transcribe and analyze four improvised solos by contemporary j...
In conclusion, each of the participants interviewed had his own unique and individual approach to th...
This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, ...
Many of today's trombonists are proficient in several musical styles. This report examines the impor...
The main goal of this dissertation was to demonstrate Joe Henderson as a seminal figure in jazz hist...
One continuing trend in solo trombone literature is the combination of classical and contemporary st...
A significant body of solo literature for the trombone has been written in the last fifty years that...
This lecture-recital investigated the lineage of French composers who were influenced by jazz during...
The purposes of the essay are to transcribe and analyze selected solos from the 1964 J. J. Johnson r...
The purposes of this essay are to (1) document and preserve, within the academic community, the uniq...
A significant body of solo literature for the trombone has been written in the last fifty years that...
This study is a comparative examination of the musical lives and improvisational styles of jazz trum...
The purpose of this essay is to analyze the playing styles of jazz trombonists Conrad Herwig and Ste...
This essay contributes to the small body of jazz trombone literature by examining the life, recordin...
The purpose of this thesis was to investigate trombonist Andy Martin. He has not received enough rec...
The purposes of this essay are to (1) transcribe and analyze four improvised solos by contemporary j...
In conclusion, each of the participants interviewed had his own unique and individual approach to th...
This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, ...
Many of today's trombonists are proficient in several musical styles. This report examines the impor...
The main goal of this dissertation was to demonstrate Joe Henderson as a seminal figure in jazz hist...