Add to ORKGThe purpose of this doctoral essay is to provide a performer’s guide to Sequenza I by Luciano Berio. Despite being considered a standard piece in the flute repertoire, Sequenza I is often avoided because of its challenging notation, sudden dynamic shifts and unique harmonic language. This doctoral essay includes an analysis of the structure and compositional elements of the piece, as well as a detailed performance guide that addresses the issues of notation in both editions of the piece. Additionally, there are performance suggestions provided by leading flutists who were interviewed by the author. The intent of this performance guide is to make Berio’s Sequenza I become more accessible to both performers and teachers who are interested in ...
This master thesis presents a comparison between the two versions of the piece Sequenza I for solo f...
The purpose of this doctoral essay is to create a performer’s guide for two pieces by Italian compos...
This paper explores structuring in Luciano Berio's sequenza IV. The analytic inquiry draws on the m...
Sequenza VII by Luciano Berio is regarded as one of the major twentieth-century pieces for the oboe....
The Sequenza XI per chitarra sola is a recent work of great significance for the guitar repertoire. ...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
Sequenza III was written in the mid -1960s and is widely available for study and performance, but h...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
Luciano Berio wrote, between 1958 and 1996, thirteen pieces for different solo instruments, each one...
Berio’s Sequenza VII is the most famous piece in the modern repertoire for solo oboe, written in 196...
This article assembles the evidence available to inform an interpretation of Berio's Sequenza V. It ...
The study examines the development and performance of extended flute techniques since Berio’s Sequen...
The present submission consists of an Analysis of Luciano Berio's Sequenza VI for Viola (1967) and a...
Berio’s Sequenza IX is one of the most well-known and influential compositions in the contemporary r...
This master thesis presents a comparison between the two versions of the piece Sequenza I for solo f...
The purpose of this doctoral essay is to create a performer’s guide for two pieces by Italian compos...
This paper explores structuring in Luciano Berio's sequenza IV. The analytic inquiry draws on the m...
Sequenza VII by Luciano Berio is regarded as one of the major twentieth-century pieces for the oboe....
The Sequenza XI per chitarra sola is a recent work of great significance for the guitar repertoire. ...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
Sequenza III was written in the mid -1960s and is widely available for study and performance, but h...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
A presente dissertação expõe um estudo analítico da Sequenza I, para flauta solo, escrita pelo compo...
Luciano Berio wrote, between 1958 and 1996, thirteen pieces for different solo instruments, each one...
Berio’s Sequenza VII is the most famous piece in the modern repertoire for solo oboe, written in 196...
This article assembles the evidence available to inform an interpretation of Berio's Sequenza V. It ...
The study examines the development and performance of extended flute techniques since Berio’s Sequen...
The present submission consists of an Analysis of Luciano Berio's Sequenza VI for Viola (1967) and a...
Berio’s Sequenza IX is one of the most well-known and influential compositions in the contemporary r...
This master thesis presents a comparison between the two versions of the piece Sequenza I for solo f...
The purpose of this doctoral essay is to create a performer’s guide for two pieces by Italian compos...
This paper explores structuring in Luciano Berio's sequenza IV. The analytic inquiry draws on the m...