Gothic architecture and a scholastic: Jean de Jandun\u27s Tractatus de laudibus Parisius (1323)

Jean de Jandun\u27s Tractatus de laudibus Parisius is one of the earliest and most interesting of Parisian encomia. The author\u27s detailed evocations of Notre-Dame, the Sainte-Chapelle, and the palace of Philip the Fair, documenting the contemporary reception of Gothic architecture, deserve greater attention than they have received to date. Primarily interested in architectural effects, Jandun praises the buildings for their size, varied decoration, transparency, and color, but pays little attention to their structural vocabulary or engineering. His Tractatus invites comparison with other medieval texts about art: his belief that a building\u27s material beauty can stir the soul to devotion resembles that of Abbot Suger, while his distinction between superficial and acute perception is also found in Gerald of Wales; he implies that recognizing a building\u27s quality requires a skill not possessed by all equally, a notion found in Boccaccio\u27s contemporary praise of Giotto. Jandun\u27s identity as a scholastic makes his Tractatus a useful means of testing the frequently alleged relations between Gothic architecture and scholasticism: a close analysis of Jandun\u27s text argues against any necessary links between these two phenomena