Throughout Haydn’s career one finds scattered quotes from works he had written earlier. In some cases it seems that the work quoted from had been relevant for the audience Haydn was addressing his new composition to, through concerts and publications of scores. This suggests that Haydn occasionally would quote himself as a communicative strategy. This article looks closer at two such quotations: The theme from symphony no. 45 (Farewell) is quoted in symphony no. 85 (La Reine), and the introduction to the overture from Il ritorno di Tobia was adapted to serve as the beginning of the overture of The Seven Last Words of our Saviour on the Cross. These quotations are subsequently compared to earlier and later instances, which suggests that Hayd...
Haydn scholarship has long been aware that Joseph Haydn was not the first to set Marchimont Nedham's...
Musical performances in the 19th century were often framed within a social and memorial context, whi...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
Haydn’s The Seven Last Words of Christ on the Cross is no stranger to alternate versions. It first a...
Haydn\u27s overtures have not previously received an extended study. Only with recent advances in Ha...
Traces Haydn's career from street musician to the heights of Viennese musical society. Works perform...
The compositional response to Haydn’s works in the second half of the twentieth century has up to th...
This document proposes to examine the aesthetic ramifications of quotation as applied in musical com...
F. Joseph Haydn (1732-1809) is known in music history as a great composer who typified the stylisti...
To this day, Joseph Haydn’s symphonies are often performed and recorded in a way that does not meet ...
A striking paradox of Haydn's career is that he traveled very little until the two London visits of ...
Most scholarship on the string quartets of Joseph Haydn favors the music he composed from Op. 33 (17...
The opening of Haydn’s Symphony No. 39 in G minor is interrupted by two unusually long grand pauses....
The use of quotation is a crucial element in Bernd Alois Zimmermann's (1918-1970) creative thinking....
In the months that followed the death of Joseph Haydn in May 1809 the Leipzig journal Allgemeine mus...
Haydn scholarship has long been aware that Joseph Haydn was not the first to set Marchimont Nedham's...
Musical performances in the 19th century were often framed within a social and memorial context, whi...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
Haydn’s The Seven Last Words of Christ on the Cross is no stranger to alternate versions. It first a...
Haydn\u27s overtures have not previously received an extended study. Only with recent advances in Ha...
Traces Haydn's career from street musician to the heights of Viennese musical society. Works perform...
The compositional response to Haydn’s works in the second half of the twentieth century has up to th...
This document proposes to examine the aesthetic ramifications of quotation as applied in musical com...
F. Joseph Haydn (1732-1809) is known in music history as a great composer who typified the stylisti...
To this day, Joseph Haydn’s symphonies are often performed and recorded in a way that does not meet ...
A striking paradox of Haydn's career is that he traveled very little until the two London visits of ...
Most scholarship on the string quartets of Joseph Haydn favors the music he composed from Op. 33 (17...
The opening of Haydn’s Symphony No. 39 in G minor is interrupted by two unusually long grand pauses....
The use of quotation is a crucial element in Bernd Alois Zimmermann's (1918-1970) creative thinking....
In the months that followed the death of Joseph Haydn in May 1809 the Leipzig journal Allgemeine mus...
Haydn scholarship has long been aware that Joseph Haydn was not the first to set Marchimont Nedham's...
Musical performances in the 19th century were often framed within a social and memorial context, whi...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...