Add to ORKGThis paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish guitar school known as the Tarrega school. It also draws upon musical examples to make further connections between Villa-Lobos\u27 Etudes and Preludes for guitar and exercises presented in the method books of Emilio Pujol and Francisco Tarrega
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
In the first chapter the importance of Villa-Lobos as a nationalistic composer and an innovative ped...
This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Dra...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
Although one who wishes to explore the history of the guitar may examine the life and compositions o...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
Bu araştırmada, Tarrega Okulu olarak adlandırılan anlayışın tanımı yapılmaya çalışılmış ve bu okulun...
The purpose of this study is to understand the principles of the “School of Tárrega” by analyzing T...
The subject of this document is the embedded didactic purpose of concert pieces for the guitar writt...
V magistrskem delu je predstavljen eden najbolj znanih brazilskih skladateljev vseh časov, Heitor Vi...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Heitor Villa-Lobos (1887-1959) stands central to the music history of the Brazilian twentieth centur...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
In the first chapter the importance of Villa-Lobos as a nationalistic composer and an innovative ped...
This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Dra...
This paper explores historical connections between Heitor Villa-Lobos and the 19th century Spanish g...
Although one who wishes to explore the history of the guitar may examine the life and compositions o...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
The lecture explores the idiomatic "guitaristic" gestures used by Villa-Lobos in selected Etudes and...
Bu araştırmada, Tarrega Okulu olarak adlandırılan anlayışın tanımı yapılmaya çalışılmış ve bu okulun...
The purpose of this study is to understand the principles of the “School of Tárrega” by analyzing T...
The subject of this document is the embedded didactic purpose of concert pieces for the guitar writt...
V magistrskem delu je predstavljen eden najbolj znanih brazilskih skladateljev vseh časov, Heitor Vi...
Since the early 19th century, instrumentalists have made use of the musical genre known as the Étude...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Heitor Villa-Lobos (1887-1959) stands central to the music history of the Brazilian twentieth centur...
In the past, more precisely in the Fifteenth and Sixteenth centuries, both pieces for keyboard instr...
In the first chapter the importance of Villa-Lobos as a nationalistic composer and an innovative ped...
This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Dra...