La Sonorité de la violence dans « Les Misères » d’Agrippa d’Aubigné

In Les Tragiques, the French poet Agrippa D\u27Aubigné, a protestant, depicts the violent consequences of religions conflicts in France in the late 16th century. Although he opposes the religious wars, Agrippa is not ready to seek reconciliation with Catholics. His use of sound imagery (direct and indirect references to noises, voices, music, etc.) in Les Misères, the first book of Les Tragiques, highlights his continuing disputes with the Catholics. Through these allusions, the poet describes Catholics\u27 oppression of Protestants, while raising the possibility of pushing back against this oppression