Art is present in nearly every aspect of our lives. The concept of art, however, is not easy to define. When discussing the subject of art, one must consider experience, art, and the aesthetic. These three concepts complement each other, but are difficult to distinguish. As a result, meaningful and coherent discussions about art are difficult to achieve. I believe that in order to discuss what good art, meaningful art, fine art, and useful art are, one must first have a clear understanding of what art is. In this thesis I attempt to build a foundation for meaningful discussion about art. I utilize John Dewey\u27s concept of an experience, and Arthur Schopenhauer\u27s subject object distinction in order to define and distinguish between art,...
M.A. (Philosophy)Abstract: Setting the Scene In the context of his paper on the highly contested con...
In his article, "The End of Aesthetic Experience" (1997) Richard Shusterman studies the contemporary...
In my recent book, Art and Engagement (1991), I develop the idea of aesthetic engagement as central ...
Art is present in nearly every aspect of our lives. The concept of art, however, is not easy to defi...
In the ongoing critical discourse about education, the status of aesthetics has always played second...
The visual arts or simply, art is a visual experience. In this paper, I will outline based on a phen...
This paper clarifies John Dewey\u27s reconstruction of the aesthetic experience in light of recent s...
Today aesthetics is a fertile branch of research which tries to transcend the narrow art-oriented ap...
The purpose of this article is to critically explore the concept ofaesthetic experience, as discusse...
In this article, I argue that the singularization of the artistic discourse in the 15th century enco...
According to American pragmatist John Dewey (1859–1952), art is an experience (not necessarily an ob...
Since XVIII century philosophers from different philosophical traditions (English empiricism and Fre...
Among recent attempts to define aesthetic experience, the one advanced by Georg Bertram in his paper...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
Traditional aestheticians believe that the value of art can be explained solely by aesthetic value t...
M.A. (Philosophy)Abstract: Setting the Scene In the context of his paper on the highly contested con...
In his article, "The End of Aesthetic Experience" (1997) Richard Shusterman studies the contemporary...
In my recent book, Art and Engagement (1991), I develop the idea of aesthetic engagement as central ...
Art is present in nearly every aspect of our lives. The concept of art, however, is not easy to defi...
In the ongoing critical discourse about education, the status of aesthetics has always played second...
The visual arts or simply, art is a visual experience. In this paper, I will outline based on a phen...
This paper clarifies John Dewey\u27s reconstruction of the aesthetic experience in light of recent s...
Today aesthetics is a fertile branch of research which tries to transcend the narrow art-oriented ap...
The purpose of this article is to critically explore the concept ofaesthetic experience, as discusse...
In this article, I argue that the singularization of the artistic discourse in the 15th century enco...
According to American pragmatist John Dewey (1859–1952), art is an experience (not necessarily an ob...
Since XVIII century philosophers from different philosophical traditions (English empiricism and Fre...
Among recent attempts to define aesthetic experience, the one advanced by Georg Bertram in his paper...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
Traditional aestheticians believe that the value of art can be explained solely by aesthetic value t...
M.A. (Philosophy)Abstract: Setting the Scene In the context of his paper on the highly contested con...
In his article, "The End of Aesthetic Experience" (1997) Richard Shusterman studies the contemporary...
In my recent book, Art and Engagement (1991), I develop the idea of aesthetic engagement as central ...