This paper explores the acceptance of Eugene O’Neill’s play Desire under the Elms in China and studies the localization of this play on Chain’s stage. From the angle of acceptance, it examines when a culture accepts the influence of another culture, how one culture chooses and transforms another and gives birth to a third one: a variant resulting from the collision and merging of these two cultures. Key words: localization; Eugene O’Neill’s play Desire; cultureRésumé: Cet article étudie l'acceptation de Désir sous les ormes d'Eugène O'Neill en Chine et la localisation de cette pièce sur la scène en Chine. Du point de vue de l'acceptation, il examine quand une culture accepte l'influence d'une autre culture, comment elle choisit et transform...
In this paper, I examined Beyond the Horizon (1920), the Pulitzer Prize-winning work by American pla...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
To commemorate the 400th anniversary of the death of Shakespeare and his Chinese counterpart Tang Xi...
This study joins with the earlier Eugene O\u27Neill scholarship that establishes the validity and si...
The American theatre owes the place it has in the world scene to many lives and their efforts, to pe...
Irish-American identity in Eugene O'Neill's early playsThis article examines Irish-American identity...
This chapter, "Owning Chinese Shakespeares,” pursues the critical concept of localization and critiq...
This paper is a comparative study of the thirteen-century Chinese revenge drama The Orphan of Zhao a...
Written by Eugene O\u27Neill Directed by Thomas A. Power From the program: Eugene O\u27Neill was bor...
Eugene O\u27Neill\u27s Desire Under the Elms has proven itself a play worthy of praise. This thesis ...
As a masterpiece of Eugene O’Neill, Desire under the Elms challenges the limitation of time and inte...
[[abstract]]This thesis consists of two parts. The first part is the commentary of my translation of...
Eugene O’Neill’s drama is generally approached from heterogeneous perspectives: if there is a critic...
110004680859Eugene O'Neill wrote more than 60 plays, including more than 20 one-acters. Although the...
Along the Expansion of Western civilization, Shakespeare’s works have influenced China, the largest ...
In this paper, I examined Beyond the Horizon (1920), the Pulitzer Prize-winning work by American pla...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
To commemorate the 400th anniversary of the death of Shakespeare and his Chinese counterpart Tang Xi...
This study joins with the earlier Eugene O\u27Neill scholarship that establishes the validity and si...
The American theatre owes the place it has in the world scene to many lives and their efforts, to pe...
Irish-American identity in Eugene O'Neill's early playsThis article examines Irish-American identity...
This chapter, "Owning Chinese Shakespeares,” pursues the critical concept of localization and critiq...
This paper is a comparative study of the thirteen-century Chinese revenge drama The Orphan of Zhao a...
Written by Eugene O\u27Neill Directed by Thomas A. Power From the program: Eugene O\u27Neill was bor...
Eugene O\u27Neill\u27s Desire Under the Elms has proven itself a play worthy of praise. This thesis ...
As a masterpiece of Eugene O’Neill, Desire under the Elms challenges the limitation of time and inte...
[[abstract]]This thesis consists of two parts. The first part is the commentary of my translation of...
Eugene O’Neill’s drama is generally approached from heterogeneous perspectives: if there is a critic...
110004680859Eugene O'Neill wrote more than 60 plays, including more than 20 one-acters. Although the...
Along the Expansion of Western civilization, Shakespeare’s works have influenced China, the largest ...
In this paper, I examined Beyond the Horizon (1920), the Pulitzer Prize-winning work by American pla...
East Meets West: The Perception of Japanese and Chinese Theatres in the Context of Edinburgh Interna...
To commemorate the 400th anniversary of the death of Shakespeare and his Chinese counterpart Tang Xi...