This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes place in descriptive passages, in the characters’ perception and in the language Tolkien uses. Fusion works toward the purpose of Tolkien’s fiction, which is to be found in the Christian views of earth and escapism, especially as expressed by sea-longing
Faërie, being the realm or state in which fairies have their being (OFS: 32), was a central element ...
This thesis is an interdisciplinary study of Tolkien's writing, seeking to place his work within the...
An attempt to explain the characters of the roles played by, and the major reasons for the creation ...
This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes pl...
This paper discusses ways in which Tolkien draws upon various ideas of Englishness in order to const...
In the course of his life Tolkien explored his thoughts and feelings on the role of language-inventi...
Examines a number of concepts in Tolkien’s works—fall and redemption, good and evil, transcendence a...
As Tolkien himself asserted, his creative writing processes were fundamentally linguistic. They were...
After his St Andrews lecture on ‘Fairy Stories’ Tolkien projected his theory of sub-creation into hi...
This paper attempts to place Tolkien’s fiction in a distinctively English literary context: a tradit...
In his detailed accounts concerning Middle-earth and its inhabitants throughout various Ages of exis...
This paper examines the connections between Tolkien’s writing of fiction and his work as a lexicogra...
A somewhat playful look at Tolkien’s invented languages, deducing some of the rules for evolution fr...
A close look at Tolkien’s incorporation of traces of shamanism and totemism in his depiction of Gand...
A look into Tolkien’s thoughts on creativity, not just through “On Fairy-stories” and “Leaf by Niggl...
Faërie, being the realm or state in which fairies have their being (OFS: 32), was a central element ...
This thesis is an interdisciplinary study of Tolkien's writing, seeking to place his work within the...
An attempt to explain the characters of the roles played by, and the major reasons for the creation ...
This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes pl...
This paper discusses ways in which Tolkien draws upon various ideas of Englishness in order to const...
In the course of his life Tolkien explored his thoughts and feelings on the role of language-inventi...
Examines a number of concepts in Tolkien’s works—fall and redemption, good and evil, transcendence a...
As Tolkien himself asserted, his creative writing processes were fundamentally linguistic. They were...
After his St Andrews lecture on ‘Fairy Stories’ Tolkien projected his theory of sub-creation into hi...
This paper attempts to place Tolkien’s fiction in a distinctively English literary context: a tradit...
In his detailed accounts concerning Middle-earth and its inhabitants throughout various Ages of exis...
This paper examines the connections between Tolkien’s writing of fiction and his work as a lexicogra...
A somewhat playful look at Tolkien’s invented languages, deducing some of the rules for evolution fr...
A close look at Tolkien’s incorporation of traces of shamanism and totemism in his depiction of Gand...
A look into Tolkien’s thoughts on creativity, not just through “On Fairy-stories” and “Leaf by Niggl...
Faërie, being the realm or state in which fairies have their being (OFS: 32), was a central element ...
This thesis is an interdisciplinary study of Tolkien's writing, seeking to place his work within the...
An attempt to explain the characters of the roles played by, and the major reasons for the creation ...