Add to ORKGDiscusses the concept of the wise woman warrior, focusing primarily on Éowyn, Orual, and Hermione Granger but bringing in other characters from the works of Tolkien, Lewis, and Rowling as well
Examines the presence and absence of female characters in Tolkien, in the Peter Jackson films, and i...
The majority of articles in this issue of Mythlore have to do with a selection of female characters ...
Discusses the significance of portrayals of warrior women in modern fantasy art, particularly in com...
Examines women in combat in a number of Tolkien’s and Lewis’s works, finding that their portrayals h...
The powerful, learned woman is a figure of fear in the works of Williams, seen as transgressing her ...
The powerful, learned woman is a figure of fear in the works of Williams, seen as transgressing her ...
Offers an opposing viewpoint on the “taming” of the woman warrior in Tolkien, suggesting that Éowyn’...
This paper examines the connection between the motif of the Old English warrior woman and Tolkien’s ...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
Gives close attention to Morwen, Niennor, and Aerin, comparing them to Éowyn before she rode to batt...
Two of Tolkien’s major works – The Silmarillion and The Lord of the Rings – have been criticized for...
With a Jungian slant, groups Tolkien’s heroes from The Lord of the Rings and The Silmarillion into s...
This summer, I attended the International Medieval Congress in Leeds, England, where I attended nume...
Examines the presence and absence of female characters in Tolkien, in the Peter Jackson films, and i...
The majority of articles in this issue of Mythlore have to do with a selection of female characters ...
Discusses the significance of portrayals of warrior women in modern fantasy art, particularly in com...
Examines women in combat in a number of Tolkien’s and Lewis’s works, finding that their portrayals h...
The powerful, learned woman is a figure of fear in the works of Williams, seen as transgressing her ...
The powerful, learned woman is a figure of fear in the works of Williams, seen as transgressing her ...
Offers an opposing viewpoint on the “taming” of the woman warrior in Tolkien, suggesting that Éowyn’...
This paper examines the connection between the motif of the Old English warrior woman and Tolkien’s ...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
This paper begins by considering the nature of some of the stylised “evil” and “good” character type...
Gives close attention to Morwen, Niennor, and Aerin, comparing them to Éowyn before she rode to batt...
Two of Tolkien’s major works – The Silmarillion and The Lord of the Rings – have been criticized for...
With a Jungian slant, groups Tolkien’s heroes from The Lord of the Rings and The Silmarillion into s...
This summer, I attended the International Medieval Congress in Leeds, England, where I attended nume...
Examines the presence and absence of female characters in Tolkien, in the Peter Jackson films, and i...
The majority of articles in this issue of Mythlore have to do with a selection of female characters ...
Discusses the significance of portrayals of warrior women in modern fantasy art, particularly in com...