Add to ORKGI feel uneasy stepping into the great territories opened up by Nancy Moules (2017) and Kate Beamer (2017) at the tail end of last year’s Journal of Applied Hermeneutics. It is not (yet) a territory I have endured as deeply. That bracketed “yet” is little more than a feeble attempt at trying to remember not to forget what surrounds us all, whatever its proximity
This paper is a short reflection on the nature of hermeneutics and the strange joy and burden of wri...
This essay promotes a cultural historiography distinguished by disruption and dispersal, one suspici...
Written in non-linear fragments, my thesis is what Audre Lorde in her novel Zami calls a "biomythogr...
I feel uneasy stepping into the great territories opened up by Nancy Moules (2017) and Kate Beamer (...
In this paper, the author responds to the Moules and Estefan (2018) Editorial “Watching My Mother Di...
Often the terms hermeneutics and phenomenology become conflated and, although they have a relationsh...
This paper takes up themes from Kevin Aho's (2018) paper and links its explorations of the history o...
In this editorial, I summon something of the intimate dangers of carefully studying and becoming fam...
The following small reflection was written around a year ago, but it has taken on new urgency for me...
Written as a layered pictorial script, three images—Owl, Raven, and Hummingbird—beckoned the authors...
This article is an introduction to the subsequent one by Jodi Latremouille's "My Treasured Relation....
When entities are placed into adjacency, it’s often unsurprising that curious resonances are set up,...
In this article, I explore aspects of grief and the surprising mirroring of hermeneutic research and...
A nonfiction work that explores widow\u27s walks in a time of climate change on the coasts. This pie...
Submitted to the faculty of Morehead State University in partial fulfillment of the requirements for...
This paper is a short reflection on the nature of hermeneutics and the strange joy and burden of wri...
This essay promotes a cultural historiography distinguished by disruption and dispersal, one suspici...
Written in non-linear fragments, my thesis is what Audre Lorde in her novel Zami calls a "biomythogr...
I feel uneasy stepping into the great territories opened up by Nancy Moules (2017) and Kate Beamer (...
In this paper, the author responds to the Moules and Estefan (2018) Editorial “Watching My Mother Di...
Often the terms hermeneutics and phenomenology become conflated and, although they have a relationsh...
This paper takes up themes from Kevin Aho's (2018) paper and links its explorations of the history o...
In this editorial, I summon something of the intimate dangers of carefully studying and becoming fam...
The following small reflection was written around a year ago, but it has taken on new urgency for me...
Written as a layered pictorial script, three images—Owl, Raven, and Hummingbird—beckoned the authors...
This article is an introduction to the subsequent one by Jodi Latremouille's "My Treasured Relation....
When entities are placed into adjacency, it’s often unsurprising that curious resonances are set up,...
In this article, I explore aspects of grief and the surprising mirroring of hermeneutic research and...
A nonfiction work that explores widow\u27s walks in a time of climate change on the coasts. This pie...
Submitted to the faculty of Morehead State University in partial fulfillment of the requirements for...
This paper is a short reflection on the nature of hermeneutics and the strange joy and burden of wri...
This essay promotes a cultural historiography distinguished by disruption and dispersal, one suspici...
Written in non-linear fragments, my thesis is what Audre Lorde in her novel Zami calls a "biomythogr...