This paper focuses on the theoretical and scholarly influences upon Abbie Hoffman and Jerry Rubin in the years prior to 1967, and how that affected their motivations and decisions regarding their pre-Yippie activism in the fall of 1967. It focuses on two events: the August demonstration at the New York Stock Exchange and the National Mobilization to End the War in Vietnam’s March on the Pentagon in October (specifically on Jerry Rubin’s role and Abbie Hoffman’s intent to levitate the Pentagon). In providing details about these two events in relation to their theoretical and scholarly influences, this paper analyzes how these two demonstrations laid the foundation for their post 1967 Yippie activism. Both men, as college graduates taught ...
From 1968 to 1972, years which many historians have determined as encompassing the most focussed cha...
This thesis traces how the artistry of the Broadway musical reflects the condition of the American a...
This thesis argues that American experimental theatre practice was one key factor in the developmen...
This paper focuses on the theoretical and scholarly influences upon Abbie Hoffman and Jerry Rubin in...
The following thesis is a discussion of the radical activist Abbie Hoffman\u27s theatrical work to r...
The 1968 Democratic National Convention has long been remembered for the televised images of police ...
From burning draft cards to staging nude protests, much left-wing political activism in 1960s Americ...
textIn 1967 and 1968, members of the Youth International Party, also known as Yippies, created sever...
27 pagesAmerican protest against the establishment grew between the years 1967 and 1968 because dram...
This study places emphasis on the work of The San Francisco Mime Troupe, The Living Theatre, and The...
This dissertation explores historical notions of resistance alongside contemporary playful forms of ...
This article takes a look at the practice of the radical leftist singing group The Almanac Singers (...
This paper proposes a realistic interpretation of Sam Shepard's early one-act plays, considering the...
Title from first page of PDF file (viewed November 29, 2010)Includes bibliographical references (p. ...
Protagoras, Plato recounted, taught how to harness word and action and use them to make an effective...
From 1968 to 1972, years which many historians have determined as encompassing the most focussed cha...
This thesis traces how the artistry of the Broadway musical reflects the condition of the American a...
This thesis argues that American experimental theatre practice was one key factor in the developmen...
This paper focuses on the theoretical and scholarly influences upon Abbie Hoffman and Jerry Rubin in...
The following thesis is a discussion of the radical activist Abbie Hoffman\u27s theatrical work to r...
The 1968 Democratic National Convention has long been remembered for the televised images of police ...
From burning draft cards to staging nude protests, much left-wing political activism in 1960s Americ...
textIn 1967 and 1968, members of the Youth International Party, also known as Yippies, created sever...
27 pagesAmerican protest against the establishment grew between the years 1967 and 1968 because dram...
This study places emphasis on the work of The San Francisco Mime Troupe, The Living Theatre, and The...
This dissertation explores historical notions of resistance alongside contemporary playful forms of ...
This article takes a look at the practice of the radical leftist singing group The Almanac Singers (...
This paper proposes a realistic interpretation of Sam Shepard's early one-act plays, considering the...
Title from first page of PDF file (viewed November 29, 2010)Includes bibliographical references (p. ...
Protagoras, Plato recounted, taught how to harness word and action and use them to make an effective...
From 1968 to 1972, years which many historians have determined as encompassing the most focussed cha...
This thesis traces how the artistry of the Broadway musical reflects the condition of the American a...
This thesis argues that American experimental theatre practice was one key factor in the developmen...