John G. Gibson, Gaelic Cape Breton Step-Dancing: An Historical and Ethnographic Perspective Montréal and Kingston: McGill-Queen's University Press, 2017. Pp. 464. ISBN 978-0-7735-5059-9. CDN $55.0
Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to rem...
non-peer-reviewedClips of Cape Breton step dancing of old is difficult. As a dance genre it was pass...
peer-reviewedThe concerns expressed in this work have a subtle interrelationship. They emerge from t...
Abstract: This article briefly outlines the migration of percussive step dancing to Cape Breton Isla...
This article briefly outlines the migration of percussive step dancing to Cape Breton Island from th...
peer-reviewedCape Breton step dancing is the regional label, given to the vernacular form of percus...
non-peer reviewedSince about 1990 Cape Breton musicians and step dancers have been invited to Scotla...
Every dance form has its own stylistic traits ascribed to it by its community of performers, and Cap...
peer-reviewedIn regional step dance traditions, a shared dance idiom may become identified as a regi...
With the fear of decline of the Cape Breton fiddling tradition after the airing of The Vanishing Cap...
The connection between dancers and musicians are very strong in the dancing communities of Cape Bret...
Kristin Harris Walsh is a dancer and dance scholar based in St. John's. She holds a PhD in Folklore ...
Also author of Choreophobia: Solo Improvised Dance in the Iranian World (1999), Choreographic Politi...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/4484198
This study explores contemporary vernacular dance forms in Newfoundland and Labrador. As a reflecti...
Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to rem...
non-peer-reviewedClips of Cape Breton step dancing of old is difficult. As a dance genre it was pass...
peer-reviewedThe concerns expressed in this work have a subtle interrelationship. They emerge from t...
Abstract: This article briefly outlines the migration of percussive step dancing to Cape Breton Isla...
This article briefly outlines the migration of percussive step dancing to Cape Breton Island from th...
peer-reviewedCape Breton step dancing is the regional label, given to the vernacular form of percus...
non-peer reviewedSince about 1990 Cape Breton musicians and step dancers have been invited to Scotla...
Every dance form has its own stylistic traits ascribed to it by its community of performers, and Cap...
peer-reviewedIn regional step dance traditions, a shared dance idiom may become identified as a regi...
With the fear of decline of the Cape Breton fiddling tradition after the airing of The Vanishing Cap...
The connection between dancers and musicians are very strong in the dancing communities of Cape Bret...
Kristin Harris Walsh is a dancer and dance scholar based in St. John's. She holds a PhD in Folklore ...
Also author of Choreophobia: Solo Improvised Dance in the Iranian World (1999), Choreographic Politi...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/4484198
This study explores contemporary vernacular dance forms in Newfoundland and Labrador. As a reflecti...
Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to rem...
non-peer-reviewedClips of Cape Breton step dancing of old is difficult. As a dance genre it was pass...
peer-reviewedThe concerns expressed in this work have a subtle interrelationship. They emerge from t...
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