Add to ORKGThis article investigates the composite phenomena of the artificialin examples from literature and science, exploring the interrelationsof narrative and spatial creation. It introduces the sciences of the artificial to the narrative architecture of fictional space and applies the terminology to the structure of the narrative form itself
Contains fulltext : 132144.pdf (publisher's version ) (Open Access)Since the adven...
The present paper introduces the conceptual framework for an artificial system for visual creativity...
The modern world is an artificial world, a world of artifacts, but modern science is a science of na...
Artificialities: From Artificial Intelligence to Artificial Culture Subjectivity, Embodiment and Te...
In the Spring of 1968, Herbert Simon gave a series of lectures at Massachusetts Institute of Technol...
Drawing on our own art/science practices and a series of interviews with artificial life practition...
The following explores the artificiality of human artifacts. To talk of artifacts, we must avoid ont...
This position article argues that the sciences of the artificial (artificial intelligence and artifi...
Artificial intelligence has a rich history in literature; fiction has shaped how we view artificial ...
What is creativity? Generally, artefacts are labelled as creative if they are both novel and appropr...
Long before the appearance of the movie machines and the triggering of the media like mass difusion ...
AbstractSince the work by Herbert Simon, no particular attention has been paid to the distinction be...
This dissertation attends to the complex figure of the automaton in Victorian fiction. The metaphori...
Scientific modelling requires us to suspend disbelief, nowhere is this more palpable than in artific...
Long before the appearance of the movie machines and the triggering of the media like mass difusion ...
Contains fulltext : 132144.pdf (publisher's version ) (Open Access)Since the adven...
The present paper introduces the conceptual framework for an artificial system for visual creativity...
The modern world is an artificial world, a world of artifacts, but modern science is a science of na...
Artificialities: From Artificial Intelligence to Artificial Culture Subjectivity, Embodiment and Te...
In the Spring of 1968, Herbert Simon gave a series of lectures at Massachusetts Institute of Technol...
Drawing on our own art/science practices and a series of interviews with artificial life practition...
The following explores the artificiality of human artifacts. To talk of artifacts, we must avoid ont...
This position article argues that the sciences of the artificial (artificial intelligence and artifi...
Artificial intelligence has a rich history in literature; fiction has shaped how we view artificial ...
What is creativity? Generally, artefacts are labelled as creative if they are both novel and appropr...
Long before the appearance of the movie machines and the triggering of the media like mass difusion ...
AbstractSince the work by Herbert Simon, no particular attention has been paid to the distinction be...
This dissertation attends to the complex figure of the automaton in Victorian fiction. The metaphori...
Scientific modelling requires us to suspend disbelief, nowhere is this more palpable than in artific...
Long before the appearance of the movie machines and the triggering of the media like mass difusion ...
Contains fulltext : 132144.pdf (publisher's version ) (Open Access)Since the adven...
The present paper introduces the conceptual framework for an artificial system for visual creativity...
The modern world is an artificial world, a world of artifacts, but modern science is a science of na...