In this article the author argues that actos, short political sketches created collectively by members of the Teatro Campesino, are just as relevant and necessary today as they were in 1965. After a brief introduction to the early Teatro Campesino, the article discusses the efficacy of satire and laughter as a weapon. He defines the acto as a genre, with roots in commedia dell’arte and other street-theatre forms. By describing the conventions of the form, he guides today’s students on how to create their own actos as effective and entertaining tools of theatre for social change. Using La quinta temporada (The Fifth Season) as a “quintessential acto” the author demonstrates how to make an audience laugh and think about social problems, offe...
The author discusses Latina/o theatre as it evolved from social protest theatre of the 1960s to prof...
This article shows the work made with forty two students of school at Medellín city, base don the th...
Many (including the author himself) consider Rodolfo Usigli to be the father of modern Mexican theat...
This is the publisher's official version, also available electronically here: http://elanguage.net/...
This article presents a practical approach to teaching Mexican political cabaret theatre in the US. ...
This essay looks at the role of labor activism through the cultural work of El Teatro Campesino, the...
This article studies Las dos caras del patroncito and its adaptation to Ecuador by the Ollantay thea...
Essa pesquisa constrói uma reflexão sobre o trabalho de El Teatro Campesino, grupo fundado em 1965 n...
In Spring 2015, Ithaca College’s IC Teatro (advised by Annette Levine), Cornell University’s Teatrot...
This article examines humor in Roberto Cossa’s El saludador and proposes that, through his unique bl...
This study of El Teatro Campesino begins by developing an historical framework within which Chicano ...
Chicano theatre is the theatrical expression of people of Mexican origin resident in the United Stat...
In the canon of Chicano theatre, the law holds a prominent role; the relationship between Chicanos a...
The historical narrative of actor training has thus far been limited to the history of Eurocentric a...
During the 1920s and 30s, Mexican artists, teachers and state officials collaborated to stage educat...
The author discusses Latina/o theatre as it evolved from social protest theatre of the 1960s to prof...
This article shows the work made with forty two students of school at Medellín city, base don the th...
Many (including the author himself) consider Rodolfo Usigli to be the father of modern Mexican theat...
This is the publisher's official version, also available electronically here: http://elanguage.net/...
This article presents a practical approach to teaching Mexican political cabaret theatre in the US. ...
This essay looks at the role of labor activism through the cultural work of El Teatro Campesino, the...
This article studies Las dos caras del patroncito and its adaptation to Ecuador by the Ollantay thea...
Essa pesquisa constrói uma reflexão sobre o trabalho de El Teatro Campesino, grupo fundado em 1965 n...
In Spring 2015, Ithaca College’s IC Teatro (advised by Annette Levine), Cornell University’s Teatrot...
This article examines humor in Roberto Cossa’s El saludador and proposes that, through his unique bl...
This study of El Teatro Campesino begins by developing an historical framework within which Chicano ...
Chicano theatre is the theatrical expression of people of Mexican origin resident in the United Stat...
In the canon of Chicano theatre, the law holds a prominent role; the relationship between Chicanos a...
The historical narrative of actor training has thus far been limited to the history of Eurocentric a...
During the 1920s and 30s, Mexican artists, teachers and state officials collaborated to stage educat...
The author discusses Latina/o theatre as it evolved from social protest theatre of the 1960s to prof...
This article shows the work made with forty two students of school at Medellín city, base don the th...
Many (including the author himself) consider Rodolfo Usigli to be the father of modern Mexican theat...