The protagonist of Cristina Escofet’s Ritos del corazón is a writer who cannot escape the feminine myths of the past, among them, her own youthful self. The action takes place in a theatre, where historical characters, in search of an audience, come to act out their roles. Featuring an all-female cast, Ritos del corazón evokes "personajes de la realidad eterna" ranging from women of earlier centuries, to icons of twentieth-century popular culture, to members of Laura’s own family, including her mother as a ten-year old who does not want to get married and have children. Through its metatheatrical and comic strategies, the play effectively deconstructs gender roles, revealing their performativity. (PZ
[EN] The visibility and recognition of Women playwrights in Spanish theater did not occur until the ...
Contemporary Spanish women writers have simultaneously excited and disturbed feminist scholars and c...
This dissertation focuses on the ideological continuity running through feminist dramaturgical texts...
The protagonist of Cristina Escofet’s Ritos del corazón is a writer who cannot escape the feminine m...
This article analyzes the comic innovations made by Argentine feminist playwright Malena Sándor in t...
This article proposes an approximation of the dramatic writing produced by women in Argentina betwee...
The Dramatic Feminine Discourse of Cristina Escofet interrogates this author's use of language as a ...
Ana Istarú’s Hombres en escabeche (2000) combines humor and serious commentary to break down the bin...
This article considers Latin American feminist theatrical production, specifically from Argentina, t...
This essay approaches Cristina Escofet’s work from the theoretical concept of simulacra as proposed ...
In this article we will look at a small but cohesive sample of plays by female dramatists of democra...
This essay’s main goal is to analyse Rosario Castellanos’s play El eterno femenino, published in 197...
Although women protagonists in male-authored Spanish comedias were cast in pivotal roles, they remai...
El presente trabajo analiza la construcción de una subjetividad femenina autónoma a partir del discu...
La reescritura de la Historia examines three theatrical plays that are representative of a generatio...
[EN] The visibility and recognition of Women playwrights in Spanish theater did not occur until the ...
Contemporary Spanish women writers have simultaneously excited and disturbed feminist scholars and c...
This dissertation focuses on the ideological continuity running through feminist dramaturgical texts...
The protagonist of Cristina Escofet’s Ritos del corazón is a writer who cannot escape the feminine m...
This article analyzes the comic innovations made by Argentine feminist playwright Malena Sándor in t...
This article proposes an approximation of the dramatic writing produced by women in Argentina betwee...
The Dramatic Feminine Discourse of Cristina Escofet interrogates this author's use of language as a ...
Ana Istarú’s Hombres en escabeche (2000) combines humor and serious commentary to break down the bin...
This article considers Latin American feminist theatrical production, specifically from Argentina, t...
This essay approaches Cristina Escofet’s work from the theoretical concept of simulacra as proposed ...
In this article we will look at a small but cohesive sample of plays by female dramatists of democra...
This essay’s main goal is to analyse Rosario Castellanos’s play El eterno femenino, published in 197...
Although women protagonists in male-authored Spanish comedias were cast in pivotal roles, they remai...
El presente trabajo analiza la construcción de una subjetividad femenina autónoma a partir del discu...
La reescritura de la Historia examines three theatrical plays that are representative of a generatio...
[EN] The visibility and recognition of Women playwrights in Spanish theater did not occur until the ...
Contemporary Spanish women writers have simultaneously excited and disturbed feminist scholars and c...
This dissertation focuses on the ideological continuity running through feminist dramaturgical texts...