The purpose of this essay is to argue that Blade Runner: The Final Cut (Ridley Scott, 2007) has cognitive value which is inseparable from its value as a work of cinema. I introduce the cinematic philosophy debate in §1. §2 sets out my position: that the Final Cut affirms the proposition there is no necessary relation between humanity and human beings. I outline the combination of cinematic depiction with distinctive features of the narrative’s peripeteia in §3. In §4, I explain the cognitive value of the peripeteia
Alissa Lienhard’s video essay views Blade Runner 2049 (Denis Villeneuve, 2017) as a work of ‘slow s...
While “Artificial Intelligence” describes cognition occurring on the part of machines, over the last...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
The purpose of this essay is to argue that Blade Runner: The Final Cut (Ridley Scott, 2007) has cogn...
Carl Plantinga explores how new approaches to cognition are changing how we understand film
This article demonstrates that Memento (Christopher Nolan, 2000) meets both conditions of Paisley Li...
SCIENCE-FICTION AND COGNITION Science-fiction (SF) is a paradoxical genre insofar as it combines rea...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
SCIENCE-FICTION AND COGNITION Science-fiction (SF) is a paradoxical genre insofar as it combines rea...
In this paper I look at the sci-fi film Blade Runner and the ways in which it tackles the question o...
This Master Thesis has been a philosophical exercise to find the technologically induced vanishing p...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
Alissa Lienhard’s video essay views Blade Runner 2049 (Denis Villeneuve, 2017) as a work of ‘slow s...
While “Artificial Intelligence” describes cognition occurring on the part of machines, over the last...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
The purpose of this essay is to argue that Blade Runner: The Final Cut (Ridley Scott, 2007) has cogn...
Carl Plantinga explores how new approaches to cognition are changing how we understand film
This article demonstrates that Memento (Christopher Nolan, 2000) meets both conditions of Paisley Li...
SCIENCE-FICTION AND COGNITION Science-fiction (SF) is a paradoxical genre insofar as it combines rea...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
SCIENCE-FICTION AND COGNITION Science-fiction (SF) is a paradoxical genre insofar as it combines rea...
In this paper I look at the sci-fi film Blade Runner and the ways in which it tackles the question o...
This Master Thesis has been a philosophical exercise to find the technologically induced vanishing p...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...
Alissa Lienhard’s video essay views Blade Runner 2049 (Denis Villeneuve, 2017) as a work of ‘slow s...
While “Artificial Intelligence” describes cognition occurring on the part of machines, over the last...
A Cinematic Humanist approach to film is committed inter alia to the following tenet: Some fiction f...