218- Every visible surface in this slide is covered with decoration—an example of what some have termed Islamic art’s horror vaccui. The Alhambra’s walls also bear a lot of text, usually Quranic verses or poetry by one of the court poets. Most frequent is perhaps the Nasrid motto ‘La ghalib Ila Allah,’ there is no victor but God. For an account of the Court of the Lions, see B49. 210. For a general account of the Alhambra, see slide B49.185. - SKhttps://digital.kenyon.edu/baly/1442/thumbnail.jp
235- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider central band contains ...
216- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...
210- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...
237- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider band on the left conta...
199- Detail from the door frame on the façade of the Comares Palace in the Court of the Mexuar at th...
217- Elaborate stucco work around the Court of the Lions at the Alhambra in Granada, Spain. For an a...
219- A portico in the Court of the Lions. For an account of the Court of the Lions, see B49. 210. F...
213- Elaborate stucco work around the Court of the Lions at the Alhambra in Granada, Spain. For an a...
220- There are more than a hundred of these elegant columns that support the porticoes in the Court ...
221- There are more than a hundred of these elegant columns that support the porticoes in the Court ...
222- The play of light and shadow is an important motif that the Alhambra palaces make use of, espec...
215- The play of light and shadow is an important motif that the Alhambra palaces make use of, espec...
212- A portico in the Court of the Lions. For a full account of this court, see B49.210. For an acco...
233- Arabic calligraphy in carved stucco on a wall in the Comares Court, Alhambra. The wider central...
236- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider central band contains ...
235- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider central band contains ...
216- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...
210- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...
237- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider band on the left conta...
199- Detail from the door frame on the façade of the Comares Palace in the Court of the Mexuar at th...
217- Elaborate stucco work around the Court of the Lions at the Alhambra in Granada, Spain. For an a...
219- A portico in the Court of the Lions. For an account of the Court of the Lions, see B49. 210. F...
213- Elaborate stucco work around the Court of the Lions at the Alhambra in Granada, Spain. For an a...
220- There are more than a hundred of these elegant columns that support the porticoes in the Court ...
221- There are more than a hundred of these elegant columns that support the porticoes in the Court ...
222- The play of light and shadow is an important motif that the Alhambra palaces make use of, espec...
215- The play of light and shadow is an important motif that the Alhambra palaces make use of, espec...
212- A portico in the Court of the Lions. For a full account of this court, see B49.210. For an acco...
233- Arabic calligraphy in carved stucco on a wall in the Comares Court, Alhambra. The wider central...
236- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider central band contains ...
235- Arabic calligraphy in carved stucco on a wall in the Alhambra. The wider central band contains ...
216- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...
210- A view into the Court of the Lions. About this building, Robert Irwin in his book The Alhambra ...