Within this installation at his own home in Beijing, China, “Wang recurrently problematizes an understanding of art that emphasizes the opening up of reality in real time as a tool to critically reflect upon seemingly fixed relations and positions. Reflecting on his own positionality and by doing so, inviting the viewer to participate in this process, he created the site-specific work The Sky of Brooklyn: Digging a Hole in Beijing (1995). After having just returned from a longer stay in the USA to Beijing in 1994 he problematized these new spatial and cultural perspectives. In the ground of his traditional courtyard house he dug out a three-meter deep hole. On the ground he placed a TV screen on which he showed recordings of the sky of Br...
The field was the curation of cross-cultural new media/ digital media practices within large-scale e...
Place is a complicated concept in urban design literature that does not lend itself to a definite in...
‘Esc’ is a major solo exhibition, commissioned by Matt’s Gallery and funded by The Henry Moore Insti...
As themes in Chinese art since economic reform, space and the environment have been crucial. Many ar...
A dispatch on the arts, technologies and cultures in the metropolitan community served by the Beijin...
This dissertation is a story about relationships between artists, their work, and the physical infra...
This dissertation is the first systematic study of contemporary Chinese site-based art, a mode of ar...
This exhibition, titled ‘Abandoned Field’ by the Chinese curator Tian Meng, brought together a large...
I see landscape through my own eyes, hands and body, and also through the lenses of Chinese poetry, ...
[[abstract]]Summary: Ever since the eastern and western cultures encountered, the exploration and el...
Aileen Wang curated an exhibition entitled “Culture Mixmaster Zhang Hongtu”, the first one-person ex...
‘The sky was clearer in those days’ realised a large-scale interventional live art work within the c...
This article contextualises the art practice of Beijing-based artist Liu Bolin and examines ways in ...
The following contribution explores some of the author’s experiences of living in three of China’s c...
After studying modern architectural designs during my one-andone-half year residence in the United S...
The field was the curation of cross-cultural new media/ digital media practices within large-scale e...
Place is a complicated concept in urban design literature that does not lend itself to a definite in...
‘Esc’ is a major solo exhibition, commissioned by Matt’s Gallery and funded by The Henry Moore Insti...
As themes in Chinese art since economic reform, space and the environment have been crucial. Many ar...
A dispatch on the arts, technologies and cultures in the metropolitan community served by the Beijin...
This dissertation is a story about relationships between artists, their work, and the physical infra...
This dissertation is the first systematic study of contemporary Chinese site-based art, a mode of ar...
This exhibition, titled ‘Abandoned Field’ by the Chinese curator Tian Meng, brought together a large...
I see landscape through my own eyes, hands and body, and also through the lenses of Chinese poetry, ...
[[abstract]]Summary: Ever since the eastern and western cultures encountered, the exploration and el...
Aileen Wang curated an exhibition entitled “Culture Mixmaster Zhang Hongtu”, the first one-person ex...
‘The sky was clearer in those days’ realised a large-scale interventional live art work within the c...
This article contextualises the art practice of Beijing-based artist Liu Bolin and examines ways in ...
The following contribution explores some of the author’s experiences of living in three of China’s c...
After studying modern architectural designs during my one-andone-half year residence in the United S...
The field was the curation of cross-cultural new media/ digital media practices within large-scale e...
Place is a complicated concept in urban design literature that does not lend itself to a definite in...
‘Esc’ is a major solo exhibition, commissioned by Matt’s Gallery and funded by The Henry Moore Insti...