Add to ORKGSince its original publication in 1909, the French novel The Phantom of the Opera has been adapted into countless film and theater productions, solidifying its position in the popular consciousness of twentieth- and twenty-first-century America. This cross-media analysis examines the original novel, the 1925 Lon Chaney silent film, and the 1986 Andrew Lloyd Webber megamusical, addressing the formal issues of adaptation from words to film to stage and the text s continuing cultural significance
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection offers analysis o...
This thesis aims to provide a critical account of Gaston Leroux’s Le Fantôme de l’Opéra (1910), whic...
One of the many characteristic qualities brought to musical theatre with the emergence of the megamu...
Although the story of The Phantom of the Opera originated about 100 years ago, today’s audiences are...
The processes that underlie the creation of operatic adaptations are similar to those of film adapta...
The processes that underlie the creation of operatic adaptations are similar to those of film adapta...
Gaston Leroux’s novel, ‘The Phantom of the Opera, has been adapted many times over the course of a c...
Thesis (Ph.D.)-University of Natal, Durban, 1994.The process of metaphrasis denotes the translation ...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
In the process of adaptation, there are major changes in the process and the final project. Changes ...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
This paper attempts an exploration of the prosperity of melodrama in the nineteenth century with its...
This paper attempts an exploration of the prosperity of melodrama in the nineteenth century with its...
Theaters have been used for centuries as places where people can critically discuss the nature of th...
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection offers analysis o...
This thesis aims to provide a critical account of Gaston Leroux’s Le Fantôme de l’Opéra (1910), whic...
One of the many characteristic qualities brought to musical theatre with the emergence of the megamu...
Although the story of The Phantom of the Opera originated about 100 years ago, today’s audiences are...
The processes that underlie the creation of operatic adaptations are similar to those of film adapta...
The processes that underlie the creation of operatic adaptations are similar to those of film adapta...
Gaston Leroux’s novel, ‘The Phantom of the Opera, has been adapted many times over the course of a c...
Thesis (Ph.D.)-University of Natal, Durban, 1994.The process of metaphrasis denotes the translation ...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
In the process of adaptation, there are major changes in the process and the final project. Changes ...
This analysis examines the story of The Phantom of the Opera, written by Andrew Lloyd Webber. Specif...
This paper attempts an exploration of the prosperity of melodrama in the nineteenth century with its...
This paper attempts an exploration of the prosperity of melodrama in the nineteenth century with its...
Theaters have been used for centuries as places where people can critically discuss the nature of th...
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection offers analysis o...
This thesis aims to provide a critical account of Gaston Leroux’s Le Fantôme de l’Opéra (1910), whic...
One of the many characteristic qualities brought to musical theatre with the emergence of the megamu...