Suicide is a frequent and important occurrence in the oeuvre of Shakespeare. While Shakespeare\u27s male characters typically contemplate and commit suicide on stage, complete with lofty, pensive soliloquies on the matter, his female characters often commit their acts behind the curtain and are given few to no lines to clarify their deeds or dictate how they wish to be remembered. In minimizing the amount of dialogue and freedom of speech of female characters, Shakespeare uses silence as a literary device to subtly draw attention to the ambiguities surrounding their suicidal or potentially suicidal deaths. Once examined, the situations reveal themselves to be significantly more complex than they appear topically, and often illuminate the ro...
In Renaissance England, dying a good death helped to ensure that the soul was prepared for the after...
Female characters and other socially subordinate characters in Shakespeare’s plays frequently use a ...
I explore how two early modern plays, Shakespeare’s Hamlet and Elizabeth Cary’s The Tragedy of Maria...
In this paper, the author explores the correlation between suicide, gender, and agency in the play H...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
Shakespearean mourners display aggression in lieu of grief, they rely upon introjection and substitu...
This study suggests a different method of examining Shakespeare\u27s use of silent characters. The s...
Audiences and critics, spanning from the play\u27s debut to modern renditions, find Cordelia\u27s de...
Shakespeare’s works are renowned for the insight they present on the human condition. While his trag...
Shakespeare returns repeatedly to a false infidelity plotline in his plays. In Much Ado About Nothin...
Women who choose death on Shakespeare’s stage often overturn ideas about tragedy as well as challeng...
This paper will explore the topic of conscience in Shakespeare’s Hamlet, using sixteenth-century cas...
The ‘O, o, o, o’ that follows Hamlet’s ‘The rest is silence’ in Shakespeare’s first folio has often ...
The central examination of this thesis concentrates on the essential contributions of the female cha...
This paper follows the critical lines of feminism and psychoanalysis to argue that Othello is a conf...
In Renaissance England, dying a good death helped to ensure that the soul was prepared for the after...
Female characters and other socially subordinate characters in Shakespeare’s plays frequently use a ...
I explore how two early modern plays, Shakespeare’s Hamlet and Elizabeth Cary’s The Tragedy of Maria...
In this paper, the author explores the correlation between suicide, gender, and agency in the play H...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
Shakespearean mourners display aggression in lieu of grief, they rely upon introjection and substitu...
This study suggests a different method of examining Shakespeare\u27s use of silent characters. The s...
Audiences and critics, spanning from the play\u27s debut to modern renditions, find Cordelia\u27s de...
Shakespeare’s works are renowned for the insight they present on the human condition. While his trag...
Shakespeare returns repeatedly to a false infidelity plotline in his plays. In Much Ado About Nothin...
Women who choose death on Shakespeare’s stage often overturn ideas about tragedy as well as challeng...
This paper will explore the topic of conscience in Shakespeare’s Hamlet, using sixteenth-century cas...
The ‘O, o, o, o’ that follows Hamlet’s ‘The rest is silence’ in Shakespeare’s first folio has often ...
The central examination of this thesis concentrates on the essential contributions of the female cha...
This paper follows the critical lines of feminism and psychoanalysis to argue that Othello is a conf...
In Renaissance England, dying a good death helped to ensure that the soul was prepared for the after...
Female characters and other socially subordinate characters in Shakespeare’s plays frequently use a ...
I explore how two early modern plays, Shakespeare’s Hamlet and Elizabeth Cary’s The Tragedy of Maria...