While the accomplishments of many seventeenth-century artists (such as the playwright and actor Molière, the composer Lully, and the landscape architect André Le Nôtre) have been recognized, the choreographer Pierre Beauchamps has received little attention. However, this thesis argues that no study of seventeenth-century French court culture is complete without an understanding of Beauchamps, not only because of his role in fashioning the identity of the Sun King, but also because his biography demonstrates that self-fashioning was not limited to aristocratic and royal circles
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
Aux XVIIe et XVIIIe siècles, des représentations théâtrales sont régulièrement donnés dans les diffé...
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated ...
Recent scholarship in the humanities has scrutinized the ways in which constructions of national ide...
Excerpt from an unpublished MA thesis (Musicology, Cornell University, 1993). Lully's Ballet des sai...
This paper examines Louis XIV’s patronage of the arts as a tool to consolidate his absolutist rule t...
This thesis researches the ballet de cour spectacles of the seventeenth century French court, with a...
Versailles has attracted a great deal of research concerned with determining the iconographical and ...
Influential analyses of the burlesque ballets performed at the court of Louis XIII argue that the ba...
The court ballet as an artistic genre was created in France at the end of the sixteenth century. Whi...
Examining a group of pictures painted in the early-to-mid 1630s, this dissertation sets out to demon...
The long eighteenth century was a turbulent period in France, many crucial reforms in society, polit...
This study will examine how Cardinal Mazarin, through the ballets Le Ballet de la Nuit and Ballet de...
The achievements of a school dance seem original and valuable. It was said that: There is no one lik...
This study proposes to show that the theatre during the reign of Louis XIV reflected the tastes and ...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
Aux XVIIe et XVIIIe siècles, des représentations théâtrales sont régulièrement donnés dans les diffé...
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated ...
Recent scholarship in the humanities has scrutinized the ways in which constructions of national ide...
Excerpt from an unpublished MA thesis (Musicology, Cornell University, 1993). Lully's Ballet des sai...
This paper examines Louis XIV’s patronage of the arts as a tool to consolidate his absolutist rule t...
This thesis researches the ballet de cour spectacles of the seventeenth century French court, with a...
Versailles has attracted a great deal of research concerned with determining the iconographical and ...
Influential analyses of the burlesque ballets performed at the court of Louis XIII argue that the ba...
The court ballet as an artistic genre was created in France at the end of the sixteenth century. Whi...
Examining a group of pictures painted in the early-to-mid 1630s, this dissertation sets out to demon...
The long eighteenth century was a turbulent period in France, many crucial reforms in society, polit...
This study will examine how Cardinal Mazarin, through the ballets Le Ballet de la Nuit and Ballet de...
The achievements of a school dance seem original and valuable. It was said that: There is no one lik...
This study proposes to show that the theatre during the reign of Louis XIV reflected the tastes and ...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
Aux XVIIe et XVIIIe siècles, des représentations théâtrales sont régulièrement donnés dans les diffé...
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated ...