This essay draws upon the contention that posthuman subjects, such as androids, clones, and robots, can experience psychological trauma. The aim of the paper is to examine this notion in three science fiction texts: Mary Shelley’s Frankenstein, Philip K. Dick’s Do Androids Dream of Electric Sheep?, and Ursula Le Guin’s short story ‘Nine Lives’. What these narratives illustrate is that trauma manifestations contribute to a disruption of ontological frameworks that regard categories such as ‘human’ and ‘non-human’ as permanent and distinct. As a result, it might be argued that these texts undermine anthropocentrism and invite a reconceptualising around the term ‘human’, but also around trauma as an experience that is conventionally understood...
Master's thesis in Literacy studiesThis thesis explores how cyborg figures within science fiction li...
Though Mary Shelley wrote Frankenstein over two hundred years ago, many of the main themes of aliena...
Literary and cultural critics call science fiction the premiere story form of modernity because it r...
This essay draws upon the contention that posthuman subjects, such as androids, clones, and robots, ...
In the landscape of twentieth century science fiction, Philip K. Dick’s 1968 novel Do Androids Dream...
Philip K Dick’s Do Androids Dream of Electric Sheep? explores the notions of the schizoid and the an...
Science fiction has long been a place to reimagine first contact. Sometimes it follows a strictly im...
This thesis investigates the way artificial life in science fiction is used to explore what it means...
There is a long-standing belief that there is an opposing discourse between science and the humaniti...
Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature,...
This article reads two narratives of catastrophe, Octavia Butler’s “Speech Sounds” (1983) and Ted Ch...
“What makes us human?” Throughout time, people have been preoccupied with this question, believing t...
This article argues that Science Fiction is a posthuman art form, whose texts posit a utopian dream ...
The nature of humanity and what it means to be human has long been the focus of science fiction writ...
This paper examines why robots are so often presented as monstrous in the popular media (e.g. film, ...
Master's thesis in Literacy studiesThis thesis explores how cyborg figures within science fiction li...
Though Mary Shelley wrote Frankenstein over two hundred years ago, many of the main themes of aliena...
Literary and cultural critics call science fiction the premiere story form of modernity because it r...
This essay draws upon the contention that posthuman subjects, such as androids, clones, and robots, ...
In the landscape of twentieth century science fiction, Philip K. Dick’s 1968 novel Do Androids Dream...
Philip K Dick’s Do Androids Dream of Electric Sheep? explores the notions of the schizoid and the an...
Science fiction has long been a place to reimagine first contact. Sometimes it follows a strictly im...
This thesis investigates the way artificial life in science fiction is used to explore what it means...
There is a long-standing belief that there is an opposing discourse between science and the humaniti...
Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature,...
This article reads two narratives of catastrophe, Octavia Butler’s “Speech Sounds” (1983) and Ted Ch...
“What makes us human?” Throughout time, people have been preoccupied with this question, believing t...
This article argues that Science Fiction is a posthuman art form, whose texts posit a utopian dream ...
The nature of humanity and what it means to be human has long been the focus of science fiction writ...
This paper examines why robots are so often presented as monstrous in the popular media (e.g. film, ...
Master's thesis in Literacy studiesThis thesis explores how cyborg figures within science fiction li...
Though Mary Shelley wrote Frankenstein over two hundred years ago, many of the main themes of aliena...
Literary and cultural critics call science fiction the premiere story form of modernity because it r...