In this paper, I analyze Margaret Atwood’s biographical novel Alias Grace which is based on the life of Grace Marks, a servant who was convicted of murdering her employer and his housekeeper. I use feminist and psychological perspectives to recount Atwood’s interpretation of the 1800s social hierarchy and the use of labels in controlling individuals. First, I explain the severe oppression of women in the 19th century. For example, women in this era were financially controlled by men, held to high moral standards, expected to be chaste yet submissive, and restricted to domestic roles. Next, I describe the changing sentiment of the working class as Canadians started to rebel against the dominant hierarchy. Then, I describe violence as the res...
Postmodern fiction demonstrates a suspicion about the narrative status of history. Arguably, its pro...
This dissertation, A Psychoanalytical Reading of Female Madness in Selected Victorian Literature, ar...
The murderess in the twenty-first century is a figure of particular cultural fascination; she is the...
In this paper, I analyze Margaret Atwood’s biographical novel Alias Grace which is based on the life...
In her ninth novel, Alias Grace, Margaret Atwood shifts her perspective on the Canadian past and rec...
Grace Marks was a convicted double murderer in nineteenth-century Canada. Her case was well known at...
This analysis of Margaret Atwood's appropriation of history is limited to two of her works, The Hand...
In this thesis I will explore the literary tradition of women and hysteria as a smaller facet of the...
Alias Grace, a novel by Margaret Atwood demonstrates the most sensational murder case of the mid nin...
The central tenet of the study is that language and madness are bound together, language both inclu...
Bibliography: leaves 53.In the Introduction of this minor dissertation, Margaret Atwood as a post-mo...
Madness has always been a difficult concept to define as different sorts of behaviors have been cons...
Margaret Atwood depicts life memory as a process, a journey into one’s self that results in self-rea...
Margaret Atwood’s Alias Grace rewrites Nathaniel Hawthorne’s The Scarlet Letter. Both Grace Marks an...
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer...
Postmodern fiction demonstrates a suspicion about the narrative status of history. Arguably, its pro...
This dissertation, A Psychoanalytical Reading of Female Madness in Selected Victorian Literature, ar...
The murderess in the twenty-first century is a figure of particular cultural fascination; she is the...
In this paper, I analyze Margaret Atwood’s biographical novel Alias Grace which is based on the life...
In her ninth novel, Alias Grace, Margaret Atwood shifts her perspective on the Canadian past and rec...
Grace Marks was a convicted double murderer in nineteenth-century Canada. Her case was well known at...
This analysis of Margaret Atwood's appropriation of history is limited to two of her works, The Hand...
In this thesis I will explore the literary tradition of women and hysteria as a smaller facet of the...
Alias Grace, a novel by Margaret Atwood demonstrates the most sensational murder case of the mid nin...
The central tenet of the study is that language and madness are bound together, language both inclu...
Bibliography: leaves 53.In the Introduction of this minor dissertation, Margaret Atwood as a post-mo...
Madness has always been a difficult concept to define as different sorts of behaviors have been cons...
Margaret Atwood depicts life memory as a process, a journey into one’s self that results in self-rea...
Margaret Atwood’s Alias Grace rewrites Nathaniel Hawthorne’s The Scarlet Letter. Both Grace Marks an...
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer...
Postmodern fiction demonstrates a suspicion about the narrative status of history. Arguably, its pro...
This dissertation, A Psychoanalytical Reading of Female Madness in Selected Victorian Literature, ar...
The murderess in the twenty-first century is a figure of particular cultural fascination; she is the...