This project will examine the change in representations of blackness and black character in commercially successful hip hop music through music videos directed by Hype Williams from 1995 to 2005. This research will use a womanist approach to address the significant historical influence of storytelling in the black narrative and how the emerging concepts of hypermasculinity and the degradation of the black body have seemingly become the new normal. These concepts largely contribute to the negative stereotypical perceptions of black identity that keeps black bodies marginalized because there is little diversity in the public representations of blackness while there exists an abundance of black representation
textThirty-three young Black men of the Post-Hip Hop Generation (ages 18-25) in Austin, TX, particip...
Thesis (Ph.D.), Washington State UniversityThe constructions of Black identity seldom come from self...
Abstract only availableHip-hop music emerged in the 1970's as a countercultural strategy to deter in...
The purpose of this study was to examine how people respond to individuals who embrace certain types...
This study looks at how young African-American males specifically in the state of Iowa construct the...
In this paper, I will discuss the ways in which the idea of black masculinity in the U.S. is constru...
Does the individual\u27s frequency of listening to hip-hop music have an effect on whether or not th...
The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and w...
Afrocentrism is a political framework that has aided Black intellectuals and scholars in re-conceptu...
The purpose of this thesis is to define and document some of the issues and identifications commonly...
In this paper, I present an understanding of music videos as useful representations of the dynamism ...
At a time when Hip Hop is mired in masculinity, and scholars are "struggling for the soul of this m...
Black women are one of the most oppressed groups in America because they possess two qualities of be...
Racial and ethnic minorities are often exploited within the larger societies to which they belong, o...
This qualitative study will explore the impact of the way that “Blackness” is constructed and commod...
textThirty-three young Black men of the Post-Hip Hop Generation (ages 18-25) in Austin, TX, particip...
Thesis (Ph.D.), Washington State UniversityThe constructions of Black identity seldom come from self...
Abstract only availableHip-hop music emerged in the 1970's as a countercultural strategy to deter in...
The purpose of this study was to examine how people respond to individuals who embrace certain types...
This study looks at how young African-American males specifically in the state of Iowa construct the...
In this paper, I will discuss the ways in which the idea of black masculinity in the U.S. is constru...
Does the individual\u27s frequency of listening to hip-hop music have an effect on whether or not th...
The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and w...
Afrocentrism is a political framework that has aided Black intellectuals and scholars in re-conceptu...
The purpose of this thesis is to define and document some of the issues and identifications commonly...
In this paper, I present an understanding of music videos as useful representations of the dynamism ...
At a time when Hip Hop is mired in masculinity, and scholars are "struggling for the soul of this m...
Black women are one of the most oppressed groups in America because they possess two qualities of be...
Racial and ethnic minorities are often exploited within the larger societies to which they belong, o...
This qualitative study will explore the impact of the way that “Blackness” is constructed and commod...
textThirty-three young Black men of the Post-Hip Hop Generation (ages 18-25) in Austin, TX, particip...
Thesis (Ph.D.), Washington State UniversityThe constructions of Black identity seldom come from self...
Abstract only availableHip-hop music emerged in the 1970's as a countercultural strategy to deter in...