As the National Museum, the Smithsonian Institution echoes American identity and promotes U.S. values. In a 1999 article, From Dioramas to Dialogics: A Century of Exhibiting African at the Smithsonian, anthropology curator, Mary Jo Arnoldi stated that the 1967 Cultures of Africa exhibit in the National Museum of Natural History was outdated the day it opened. I examine how curators’ reluctance to abandon 19th century evolution theories for this 1967 exhibition, may have reflected one side of a cultural discourse over race that has been ongoing for most of the century. African hall displays that came before and after the 1967 installation are analyzed with coeval developments in African exhibitions outside the Smithsonian. Changes in America...
History of Art and Architecture professors and co-facilitators of the Race-ing the Museum workshop, ...
This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fo...
In considering the works by African American artists who are regarded as important1 by the American ...
Abstract The article begins with a brief history of anthropological collections of African material ...
Abstract The article begins with a brief history of anthropological collections of African material ...
The phenomenon of ‘culturally specific museums’ that have developed since the 1960s across the Unite...
In this paper, I will analyze how museum exhibitions use material culture to construct and present a...
African objects possess an unusual dual citizenship in both fine arts museums and museums of anthrop...
In this paper, I will analyze how museum exhibitions use material culture to construct and present a...
Since its opening in 2016, the National Museum of African American History and Culture has surpassed...
Series: USGZE AS333The Smithsonian Institution has been making headlines in recent news for one mome...
African objects first appeared in Western collections in cabinets of curiosities in the sixteenth ...
The Art of the Americas exhibition (March – July 2018) at the Max Chambers Library, University of Ce...
The Art of the Americas exhibition (March – July 2018) at the Max Chambers Library, University of Ce...
Humankind has collected materials and remains for centuries as a way to depict social status, educat...
History of Art and Architecture professors and co-facilitators of the Race-ing the Museum workshop, ...
This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fo...
In considering the works by African American artists who are regarded as important1 by the American ...
Abstract The article begins with a brief history of anthropological collections of African material ...
Abstract The article begins with a brief history of anthropological collections of African material ...
The phenomenon of ‘culturally specific museums’ that have developed since the 1960s across the Unite...
In this paper, I will analyze how museum exhibitions use material culture to construct and present a...
African objects possess an unusual dual citizenship in both fine arts museums and museums of anthrop...
In this paper, I will analyze how museum exhibitions use material culture to construct and present a...
Since its opening in 2016, the National Museum of African American History and Culture has surpassed...
Series: USGZE AS333The Smithsonian Institution has been making headlines in recent news for one mome...
African objects first appeared in Western collections in cabinets of curiosities in the sixteenth ...
The Art of the Americas exhibition (March – July 2018) at the Max Chambers Library, University of Ce...
The Art of the Americas exhibition (March – July 2018) at the Max Chambers Library, University of Ce...
Humankind has collected materials and remains for centuries as a way to depict social status, educat...
History of Art and Architecture professors and co-facilitators of the Race-ing the Museum workshop, ...
This paper focuses on how identity and racial ideology are factored into displays in the exhibit, Fo...
In considering the works by African American artists who are regarded as important1 by the American ...