Apartheid may have ended in South Africa in 1991, but the people still struggle with the effects and memories of this horrible period in their country’s history. Issues that many face today because of the segregated past include struggles with personal identity and racial discrimination. Great efforts have been made to move past this moment in time, including contemporary South African photographer Nontsikelelo Veleko. Veleko photographs youths living in Johannesburg as she approaches them when walking along the city streets. She captures real people, unaltered and unaffected. I will argue that Veleko’s subjects display politically charged fashion, bodily gestures, and facial expressions, which I will analyze to be found as unashamed and po...
The photographic implement, from the earliest days of its invention in Europe, in 1839, has been use...
Architecture (Professional) at the University of the Witwatersrand, Johannesburg, South Africa, 2018...
Born in 1956, Santu Mofokeng formed part of the Afrapix Collective that engaged in exposé and docum...
South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore ...
My research analyses the ways in which notions of ‘identity’, ‘memory’ and ‘freedom’ are addressed b...
This thesis engages with the ongoing debate regarding how photographs can co...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
Between March and September 2012 there have been sixteen instances of 'necklacing' in the townships ...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
This thesis engages with the ongoing debate regarding how photographs can co...
Despite a commitment to non-racialism in the South African Constitution and anthropology’s steadfast...
Visual records of place remain to a large degree inadequate when attempting to make visible the ephe...
This document is submitted in partial fulfilment for the degree: Master of Architecture (Professiona...
Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in ...
The exhibition catalogue Rise and Fall of Apartheid is a valuable collection of photographic images ...
The photographic implement, from the earliest days of its invention in Europe, in 1839, has been use...
Architecture (Professional) at the University of the Witwatersrand, Johannesburg, South Africa, 2018...
Born in 1956, Santu Mofokeng formed part of the Afrapix Collective that engaged in exposé and docum...
South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore ...
My research analyses the ways in which notions of ‘identity’, ‘memory’ and ‘freedom’ are addressed b...
This thesis engages with the ongoing debate regarding how photographs can co...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
Between March and September 2012 there have been sixteen instances of 'necklacing' in the townships ...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
This thesis engages with the ongoing debate regarding how photographs can co...
Despite a commitment to non-racialism in the South African Constitution and anthropology’s steadfast...
Visual records of place remain to a large degree inadequate when attempting to make visible the ephe...
This document is submitted in partial fulfilment for the degree: Master of Architecture (Professiona...
Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in ...
The exhibition catalogue Rise and Fall of Apartheid is a valuable collection of photographic images ...
The photographic implement, from the earliest days of its invention in Europe, in 1839, has been use...
Architecture (Professional) at the University of the Witwatersrand, Johannesburg, South Africa, 2018...
Born in 1956, Santu Mofokeng formed part of the Afrapix Collective that engaged in exposé and docum...