Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a complex art in a local language from village practitionerswhose practice did not correspond to the model expounded by the local academic.Language, music, culture, dance, spiritual dimensions, and complex stories neededto be absorbed and became building blocks toward performing this rich art of theSundanese dalang of West Java.Keywords: Wayang Golek. Sundanese rod puppetry. Dalang
This article is meant to give a brief account of the traditional creative process (widely known as K...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
Page range: 1-32Anthropologists' efforts to learn an ethnic minority language of Indonesia in the fi...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
WAYANG KULIT PALEMBANG (Dewi Anggreini, 2015, 50 pages,) "Culture which became extinct" is the rig...
The aim of the author's research was to study 1) the thematic elements and the composition of the pl...
Ruwatan is the Javanese term that comes from the word ruwat, to cleanse or release from curse or mis...
Leather puppet performance in Bali considerably so classical, either the figure of wayang (puppet) o...
This paper is based on an empirical study that explores issues around the process of a traditional p...
Wayang Panji is a puppet based on Panji stories that developed in Southeast Asia. The story of Panji...
The research is financed by Ministry of Research, Technology and Higher Education of the Republic of...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
The evolution of Javanese wayang kulit purwa performance art is intrinsically related to the efforts...
This dissertation explores a recent development in the wayang kulit purwa (s...
The Wayang Kulit story in “The Astrajingga Ngangsu Kaweruh” play is very popular in the people of In...
This article is meant to give a brief account of the traditional creative process (widely known as K...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
Page range: 1-32Anthropologists' efforts to learn an ethnic minority language of Indonesia in the fi...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
WAYANG KULIT PALEMBANG (Dewi Anggreini, 2015, 50 pages,) "Culture which became extinct" is the rig...
The aim of the author's research was to study 1) the thematic elements and the composition of the pl...
Ruwatan is the Javanese term that comes from the word ruwat, to cleanse or release from curse or mis...
Leather puppet performance in Bali considerably so classical, either the figure of wayang (puppet) o...
This paper is based on an empirical study that explores issues around the process of a traditional p...
Wayang Panji is a puppet based on Panji stories that developed in Southeast Asia. The story of Panji...
The research is financed by Ministry of Research, Technology and Higher Education of the Republic of...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
The evolution of Javanese wayang kulit purwa performance art is intrinsically related to the efforts...
This dissertation explores a recent development in the wayang kulit purwa (s...
The Wayang Kulit story in “The Astrajingga Ngangsu Kaweruh” play is very popular in the people of In...
This article is meant to give a brief account of the traditional creative process (widely known as K...
This study describes a Banyumas understanding of the Javanese shadow puppet theater tradition. By ta...
Page range: 1-32Anthropologists' efforts to learn an ethnic minority language of Indonesia in the fi...