Neste artigo, Cariad Astles discute a perda ou a alteração do corpo do boneco dentro do teatro de bonecos contemporâneo: a dissolução das fronteiras nos trabalhos transdisciplinares tem se dado de tal forma que se torna com freqüência difícil localizar o boneco em trabalhos que se auto-intitulam “teatro de bonecos”
The term ‘object theatre’ emerges from the world of puppets. It describes a form of puppetry that ut...
The article includes some reflections on terms “animant” and “animatedform”. The “animant” denotes a...
Since the beginning of the 1980s, artists such as Neville Tranter in the Netherlands, Philippe Genty...
Neste artigo, Cariad Astles discute a perda ou a alteração do corpo do boneco dentro do teatro de bo...
This article provides an overview of contemporary concerns within puppettheatre, including the impor...
Puppetry is, in its essence, a hybrid of the visual and performing arts; hybrid in its construction ...
This article seeks to find possible forms of scenic creations originating from the crossing of techn...
This article is reflection on the actor puppeteer's performance: the act of performing and the metho...
This article reflects about the registration of different traditional puppettheatre manifestations a...
Quality design and virtuoso performance do not always produce a good play.They are not enough; neith...
This article proposes puppetry as a practice uniquely situated to intervene in ideological construct...
This editorial outlines the scope of this special issue on puppetry. The issue editors introduce art...
Visual theater is an inter-disciplinary art form at the seam-line between performance and visual art...
Until the twentieth century notions of dramaturgy were closely bound up with the Poetics of Aristotl...
This article aims to investigate the possibilities of building puppets in art therapy workshop, for ...
The term ‘object theatre’ emerges from the world of puppets. It describes a form of puppetry that ut...
The article includes some reflections on terms “animant” and “animatedform”. The “animant” denotes a...
Since the beginning of the 1980s, artists such as Neville Tranter in the Netherlands, Philippe Genty...
Neste artigo, Cariad Astles discute a perda ou a alteração do corpo do boneco dentro do teatro de bo...
This article provides an overview of contemporary concerns within puppettheatre, including the impor...
Puppetry is, in its essence, a hybrid of the visual and performing arts; hybrid in its construction ...
This article seeks to find possible forms of scenic creations originating from the crossing of techn...
This article is reflection on the actor puppeteer's performance: the act of performing and the metho...
This article reflects about the registration of different traditional puppettheatre manifestations a...
Quality design and virtuoso performance do not always produce a good play.They are not enough; neith...
This article proposes puppetry as a practice uniquely situated to intervene in ideological construct...
This editorial outlines the scope of this special issue on puppetry. The issue editors introduce art...
Visual theater is an inter-disciplinary art form at the seam-line between performance and visual art...
Until the twentieth century notions of dramaturgy were closely bound up with the Poetics of Aristotl...
This article aims to investigate the possibilities of building puppets in art therapy workshop, for ...
The term ‘object theatre’ emerges from the world of puppets. It describes a form of puppetry that ut...
The article includes some reflections on terms “animant” and “animatedform”. The “animant” denotes a...
Since the beginning of the 1980s, artists such as Neville Tranter in the Netherlands, Philippe Genty...
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