Different interpreters do not play identically during a music performance, introducing their own expressive features. Although these features are perceptually recurrent for each musician, the deterministic modeling is a difficult task, making it more interesting to model by a stochastic patterns approach. This paper aims to model the temporal evolu- tion of the acoustic features using HMM (Hidden Markov Model) note-by note, intrinsically related to the expressive intent of the artist performing the musical fragments. Descriptors related to changes in dynamics, tempo, attack and release have been implemented and tested. Dynamics was described by the RMS (Root Mean Square) energy changes for each note in comparison with the previous. Tempo wa...
Performers' distortion of notated rhythms in a musical score is a significant factor in the producti...
publicationstatus: publishedpublicationstatus: publishedpublicationstatus: publishe
Music is temporal in nature, and each music piece has its own way of building expectations and surpr...
This paper describes a Hidden Markov Model (HMM)-based method of automatic transcription of MIDI (Mu...
This paper presents a method for describing the characteris-tics of human musical performance. We co...
This paper presents a new extension to the variable duration Hid-den Markov model, capable of classi...
The use of artificial intelligence is common in the research of musicology, which involves the large...
Hidden Markov Models have been used frequently in the audio domain to identify underlying musical st...
Structure is one of the fundamentals of music, yet the complexity arising from the vast number of po...
This paper proposes an interpolating extension to hidden Markov models (HMMs), which allows more acc...
"We discuss how to model ""gestures"" in music performance with statisticallatent-states models. A m...
Music is made up of a melody and chords that accompany the melody. Finding suitable chords, can be h...
cote interne IRCAM: Bloit09aNone / NoneNational audienceWe present an approach to model the temporal...
Musical rhythm is a complex experiences, which is structured in time. Furthermore, every musical eve...
Music Performers have their own idiosyncratic way of interpreting a musical piece. A group of skille...
Performers' distortion of notated rhythms in a musical score is a significant factor in the producti...
publicationstatus: publishedpublicationstatus: publishedpublicationstatus: publishe
Music is temporal in nature, and each music piece has its own way of building expectations and surpr...
This paper describes a Hidden Markov Model (HMM)-based method of automatic transcription of MIDI (Mu...
This paper presents a method for describing the characteris-tics of human musical performance. We co...
This paper presents a new extension to the variable duration Hid-den Markov model, capable of classi...
The use of artificial intelligence is common in the research of musicology, which involves the large...
Hidden Markov Models have been used frequently in the audio domain to identify underlying musical st...
Structure is one of the fundamentals of music, yet the complexity arising from the vast number of po...
This paper proposes an interpolating extension to hidden Markov models (HMMs), which allows more acc...
"We discuss how to model ""gestures"" in music performance with statisticallatent-states models. A m...
Music is made up of a melody and chords that accompany the melody. Finding suitable chords, can be h...
cote interne IRCAM: Bloit09aNone / NoneNational audienceWe present an approach to model the temporal...
Musical rhythm is a complex experiences, which is structured in time. Furthermore, every musical eve...
Music Performers have their own idiosyncratic way of interpreting a musical piece. A group of skille...
Performers' distortion of notated rhythms in a musical score is a significant factor in the producti...
publicationstatus: publishedpublicationstatus: publishedpublicationstatus: publishe
Music is temporal in nature, and each music piece has its own way of building expectations and surpr...