Crossing The Field art installation began as a series of reflections on our experiences of the radical shifts and changes in the place of, and spaces for art therapy in the UK. Provoked by the crisis of whole populations of people traversing the globe in search of a place of safety and refuge, these discussions grew into the concept of a collaborative tent city on the college field. At the same time our colleagues in Australia were moved by similar concerns to imagine a tent-shaped installation of builders’ plumb bobs and line, a void space inside the posi1ve space suggesting tension, precision, intention; a place where borders are articulated.
This research was based on the idea of creating a space of encounter and of an encounter in space. T...
All Over the Place traces a personal journey through some of the problems involved in working site-s...
Mountains and Valleys (an anonymous name for confidentiality) is a communal,site-specific installati...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Participatory Art Installation: The place of, and spaces for, art therapy are radically shifting ...
When we found out that the theme of the 2016 Goldsmiths Art Therapy conference was about place and s...
You must put yourself elsewhere. - Homi Bhabha (in Mitchell 1995) When we found out that the theme o...
A research by design on alternative open space in highly urbanised regions shows design as a process...
This paper explores a large scale international project, Accented Body, which involved partnerships ...
© 2010 Beth Sybylla ArnoldThis project is critically situated within the Melbourne urban environment...
Since 2012, I have run Public Interventions, a collaborative interdisciplinary platform for particip...
A people-centred design revolution is taking place. The “everyday people” (Sanders 2006) we serve th...
The Creative Centre for Fluid Territories (CCFT) - is a group of artists, architects, designers and ...
This research was based on the idea of creating a space of encounter and of an encounter in space. T...
All Over the Place traces a personal journey through some of the problems involved in working site-s...
Mountains and Valleys (an anonymous name for confidentiality) is a communal,site-specific installati...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Crossing The Field art installation began as a series of reflections on our experiences of the radic...
Participatory Art Installation: The place of, and spaces for, art therapy are radically shifting ...
When we found out that the theme of the 2016 Goldsmiths Art Therapy conference was about place and s...
You must put yourself elsewhere. - Homi Bhabha (in Mitchell 1995) When we found out that the theme o...
A research by design on alternative open space in highly urbanised regions shows design as a process...
This paper explores a large scale international project, Accented Body, which involved partnerships ...
© 2010 Beth Sybylla ArnoldThis project is critically situated within the Melbourne urban environment...
Since 2012, I have run Public Interventions, a collaborative interdisciplinary platform for particip...
A people-centred design revolution is taking place. The “everyday people” (Sanders 2006) we serve th...
The Creative Centre for Fluid Territories (CCFT) - is a group of artists, architects, designers and ...
This research was based on the idea of creating a space of encounter and of an encounter in space. T...
All Over the Place traces a personal journey through some of the problems involved in working site-s...
Mountains and Valleys (an anonymous name for confidentiality) is a communal,site-specific installati...