This paper introduces and describes a collective body mapping ritual presented as part of the Goldsmiths International Art Therapy Conference. The following reflections on the unfolding of the ritual were distilled from a series of conversations between Christina, Annette, Sue and Penny that took place immediately after the conference, and in the ensuing weeks and months. The article has been co-written by all four – a process that echoed the collective sharing and making of meaning that took place among participants in the ritual circle. Keywords: Body mapping, landscape, ritual, collective body, mark making, feminine embodiment
Ritual is a lost technology of being. We propose that co-designed rituals are a way for people to co...
The development of modern art over the past century has been towards a greater emphasis of the artis...
A process of heuristic inquiry, this paper documents the author's adaptation of a Neopagan approach ...
This paper introduces and describes a collective body mapping ritual presented as part of the Goldsm...
Ritual practices have long been a part of numerous cultures’ history as mind-body actions performed ...
As an artist progressing through the University\u27s Intermedial MFA program, my practice has focuse...
The first recorded instance of whole-body-mapping for research purposes is a comparison of women's i...
The methods of body mapping, including if the research used both body scans and body maps, and who t...
This article reaches into the depths of a collaborative a/r/tographic ritual inquiry between two wom...
I am a professional visual and performance ritual artist with a desire to articulate art as educati...
This research investigates the practice of tattooing as a material, affective and superficial techno...
The first recorded instance of whole-body-mapping for research purposes is a comparison of women's i...
A one-day interdisciplinary workshop. The workshop brought together artists, curators, scholars, ...
Twenty-first century American society requires individual and collective bodies to navigate large an...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
Ritual is a lost technology of being. We propose that co-designed rituals are a way for people to co...
The development of modern art over the past century has been towards a greater emphasis of the artis...
A process of heuristic inquiry, this paper documents the author's adaptation of a Neopagan approach ...
This paper introduces and describes a collective body mapping ritual presented as part of the Goldsm...
Ritual practices have long been a part of numerous cultures’ history as mind-body actions performed ...
As an artist progressing through the University\u27s Intermedial MFA program, my practice has focuse...
The first recorded instance of whole-body-mapping for research purposes is a comparison of women's i...
The methods of body mapping, including if the research used both body scans and body maps, and who t...
This article reaches into the depths of a collaborative a/r/tographic ritual inquiry between two wom...
I am a professional visual and performance ritual artist with a desire to articulate art as educati...
This research investigates the practice of tattooing as a material, affective and superficial techno...
The first recorded instance of whole-body-mapping for research purposes is a comparison of women's i...
A one-day interdisciplinary workshop. The workshop brought together artists, curators, scholars, ...
Twenty-first century American society requires individual and collective bodies to navigate large an...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
Ritual is a lost technology of being. We propose that co-designed rituals are a way for people to co...
The development of modern art over the past century has been towards a greater emphasis of the artis...
A process of heuristic inquiry, this paper documents the author's adaptation of a Neopagan approach ...