This paper examines a new form of creativity based on the commons, using as a starting point two projects commissioned by the National Museum of Contemporary Art of Athens in 2010. It aims to define the features of this emerging creativity, to locate the challenges it brings to the art world and to discuss its potentiality to influence change in a wider sociopolitical scale. It introduces artists as a new generation of commoners and it examines the role they can play not only by producing the new artificial common – which can be based on knowledge, information and affects – but, also, by introducing new ethics and values
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural...
The Rules of Collective Art: Interpretation, Social Engagement and Authorship in Contemporary Commun...
Museum crowdsourcing projects commonly extend the traditional role of the curator. This paper explor...
This paper examines a new form of creativity, based on the commons. Using as case studies two projec...
Art/Commons is the first book to theorise the commons from the perspectives of contemporary art hist...
The collective artistic activity can be seen as a metaphor for the small-scale cultural commons. In ...
In this paper I trace the contradictions embedded in global artistic circulation, which is dialectic...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
Estovers is a practice-based research project on the concept of the commons in contemporary art. It ...
‘More common, more public’ brings together two creative practice research projects to explore, first...
What do a feminist server, an art space located in a public park in North London, a 'pirate' library...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
This article presents and discusses an extracurricular, co-constructed programme: “The Catalyst Club...
The author examines how the production of art may constitute an important form of institutional work...
In the context of major economic crises, ecological catastrophes and pervasive technological innovat...
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural...
The Rules of Collective Art: Interpretation, Social Engagement and Authorship in Contemporary Commun...
Museum crowdsourcing projects commonly extend the traditional role of the curator. This paper explor...
This paper examines a new form of creativity, based on the commons. Using as case studies two projec...
Art/Commons is the first book to theorise the commons from the perspectives of contemporary art hist...
The collective artistic activity can be seen as a metaphor for the small-scale cultural commons. In ...
In this paper I trace the contradictions embedded in global artistic circulation, which is dialectic...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
Estovers is a practice-based research project on the concept of the commons in contemporary art. It ...
‘More common, more public’ brings together two creative practice research projects to explore, first...
What do a feminist server, an art space located in a public park in North London, a 'pirate' library...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
This article presents and discusses an extracurricular, co-constructed programme: “The Catalyst Club...
The author examines how the production of art may constitute an important form of institutional work...
In the context of major economic crises, ecological catastrophes and pervasive technological innovat...
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural...
The Rules of Collective Art: Interpretation, Social Engagement and Authorship in Contemporary Commun...
Museum crowdsourcing projects commonly extend the traditional role of the curator. This paper explor...