The Internet and new media are often seen as constituting open spaces where cultural empowerment and free-flowing expressive creativity find emancipation from top-down political-economic power. However, this one-sided perspective is insufficient, if not even invalid: the democratization of art does not cease to confront structural obstacles in cyberspace, as isshown by this case-study of Google’s overt interventions into art and culture. Google is working to digitize museum collections at its own expense, and is making art work widely accessible on the Internet. We show how this widened access itself, however, functions as a Google market strategy for turning cultural production into a site of profit-making. Google is quietly reorganizing c...
The evolution of the Internet and the innovation of digital technology have provided a forum for sha...
This thesis deconstructs the field of cultural production by examining contemporary institutional fr...
With Google marking its 20th year online, the piece provides a retrospective of cultural commentary ...
Looking to the future, innovations commonly tends to dismiss the old and to replace it with the new....
Looking to the future, innovations commonly tends to dismiss the old and to replace it with the new....
Why is it important to know about the developments of Google and its influences on society? What bea...
From the teenager browsing the web in an Internet cafe in Istanbul, to the student in New York seeki...
This paper examines a digital art performance by Ubermorgen.com called Google Will Eat Itself (GWEI....
It is unsurprising that the world’s largest internet company, one built upon organising and providin...
While museums have a distinct responsibility to operate as custodians of the past, they must, at the...
This paper examines the ways Google - through its technologies, services and platforms - is massivel...
The article focuses on the electronic resource Google Arts and Culture, which allows users to view h...
Culture is not one of life’s luxuries, it is life itself . . . . Culture is the soil that provides a...
This article explores the ‘GuggenTube’ phenomenon, which was the result of a collaboration between G...
Nowdays, cultural institutions use modern ways how to communicate to people. Institutions tend to be...
The evolution of the Internet and the innovation of digital technology have provided a forum for sha...
This thesis deconstructs the field of cultural production by examining contemporary institutional fr...
With Google marking its 20th year online, the piece provides a retrospective of cultural commentary ...
Looking to the future, innovations commonly tends to dismiss the old and to replace it with the new....
Looking to the future, innovations commonly tends to dismiss the old and to replace it with the new....
Why is it important to know about the developments of Google and its influences on society? What bea...
From the teenager browsing the web in an Internet cafe in Istanbul, to the student in New York seeki...
This paper examines a digital art performance by Ubermorgen.com called Google Will Eat Itself (GWEI....
It is unsurprising that the world’s largest internet company, one built upon organising and providin...
While museums have a distinct responsibility to operate as custodians of the past, they must, at the...
This paper examines the ways Google - through its technologies, services and platforms - is massivel...
The article focuses on the electronic resource Google Arts and Culture, which allows users to view h...
Culture is not one of life’s luxuries, it is life itself . . . . Culture is the soil that provides a...
This article explores the ‘GuggenTube’ phenomenon, which was the result of a collaboration between G...
Nowdays, cultural institutions use modern ways how to communicate to people. Institutions tend to be...
The evolution of the Internet and the innovation of digital technology have provided a forum for sha...
This thesis deconstructs the field of cultural production by examining contemporary institutional fr...
With Google marking its 20th year online, the piece provides a retrospective of cultural commentary ...