'NO ONE GOES TO THE MOVIES ANYMORE:'(1) CINEMA AND VISUAL STUDIES IN THE DIGITAL ERA BLUE WITHIN the variegated domain of media studies, convergence seems to be one of the buzzwords of the day. Forms that were previously discrete entities merge into new constellations, in the process uprooting the entire ecosystem of the media. Business conglomerates merge, on the cultural horizon new technologies continuously emerge, and the different artistic practices flow seamlessly into each other to produce works that are thoroughly hybrid and transaesthetic. The landscape of the arts and the media already looks radically different from what it did less than a decade ago. Coinciding with all these changes is another and – in Europe, at least – perhaps...
Long after the advent of the digital era, while most university-based film studies academics still c...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
PhD ThesisIn this thesis I analyse visual traces of digital technologies in narrative cinema as a wa...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
The articles in this issue speak to some on-going and current debates and practice related to cinema...
The present paper discusses the impacts and changes brought about by digital technologies and the tr...
The “cinema of interactions” in the title of my paper alludes to Tom Gunning’s paradigmatic concepti...
Technologies in digital cinema are quickly changing the way contemporary filmmakers create films and...
Does modern digital media reconfigure the film’s message? The ubiquity of interactive screens alters...
In the past decades, the field of cinema has undergone several transformations. The digital turn inc...
This anthology explores new periods, practices and definitions of what it means to love the cinema. ...
This article examines the critical role visualisation plays for digital cinema studies and...
Globalization, new media and the computerization of culture have outlined new landscapes and undermi...
Digital technologies are changing the way we see film as a mass medium turning it into one of the mo...
I return to Siegfried Kracauer’s questions regarding cinema’s capacity to illuminate the state of ou...
Long after the advent of the digital era, while most university-based film studies academics still c...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
PhD ThesisIn this thesis I analyse visual traces of digital technologies in narrative cinema as a wa...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
The articles in this issue speak to some on-going and current debates and practice related to cinema...
The present paper discusses the impacts and changes brought about by digital technologies and the tr...
The “cinema of interactions” in the title of my paper alludes to Tom Gunning’s paradigmatic concepti...
Technologies in digital cinema are quickly changing the way contemporary filmmakers create films and...
Does modern digital media reconfigure the film’s message? The ubiquity of interactive screens alters...
In the past decades, the field of cinema has undergone several transformations. The digital turn inc...
This anthology explores new periods, practices and definitions of what it means to love the cinema. ...
This article examines the critical role visualisation plays for digital cinema studies and...
Globalization, new media and the computerization of culture have outlined new landscapes and undermi...
Digital technologies are changing the way we see film as a mass medium turning it into one of the mo...
I return to Siegfried Kracauer’s questions regarding cinema’s capacity to illuminate the state of ou...
Long after the advent of the digital era, while most university-based film studies academics still c...
Diffusé avec l’accord des Éditions Amsterdam University Press, détentrices des droits d’auteur sur c...
PhD ThesisIn this thesis I analyse visual traces of digital technologies in narrative cinema as a wa...