THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CULTURE THROUGH SOUTH AFRICAN EYES I assisted the Locarno Film festival in 2005 with a retrospective of short films by young South African directors. There I met a very talented, young Flemish director, whose film was by far the best in the one section.(1) It moved me immensely with its honest portrait of alienation and racial discrimination. We had a long discussion on film history, aesthetics and film cultures. We also talked about the history of film in Belgium and it was noted that while the French speaking side of Belgian cinema had recently received international acclaim (for example, the work by the Dardenne Brothers), Flemish cinema was struggling. In fact, the young filmm...
The role of the official film production policy in stimulating a Flemish identity forms the central ...
The purpose of this essay is to study the film culture in South Africa in a national cinema-context,...
This paper is part of the recent shift within the New Cinema History' from the attention for the fil...
THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CULTURE THROUGH SOUTH AFRICAN EYES I as...
In the 119-year history of South African cinema only two books have been devoted to South African fi...
This article investigates the archiving of the Afrikaans film within the larger South African contex...
Since the 1990s, film studies saw a disciplinary shift from approaches favoring a textual and ideolo...
With several films taking on a cross-cultural character, a certain ‘crossover trend’ may be observed...
Flanders and Belgium had an exceptionally varied cinema scenery. Next to the numerous cinemas in the...
SHORT FILMMAKING IN SOUTH AFRICA AFTER APARTHEID Historical ContextAlthough 1994 saw the birth of de...
Most research on the relationship between film and nation-building focuses on the content of films (...
At a moment in time when Belgium, both as a signifier of a national identity and as a political cons...
De Witte (1934) by Jan Vanderheyden is commonly considered to be a milestone in the Flemish cinemati...
In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and t...
I wish to present a study of the different literature regarding national culture, African cinema and...
The role of the official film production policy in stimulating a Flemish identity forms the central ...
The purpose of this essay is to study the film culture in South Africa in a national cinema-context,...
This paper is part of the recent shift within the New Cinema History' from the attention for the fil...
THE HERITAGE OF FILM: PERSPECTIVE ON FLEMISH CINEMA AND FILM CULTURE THROUGH SOUTH AFRICAN EYES I as...
In the 119-year history of South African cinema only two books have been devoted to South African fi...
This article investigates the archiving of the Afrikaans film within the larger South African contex...
Since the 1990s, film studies saw a disciplinary shift from approaches favoring a textual and ideolo...
With several films taking on a cross-cultural character, a certain ‘crossover trend’ may be observed...
Flanders and Belgium had an exceptionally varied cinema scenery. Next to the numerous cinemas in the...
SHORT FILMMAKING IN SOUTH AFRICA AFTER APARTHEID Historical ContextAlthough 1994 saw the birth of de...
Most research on the relationship between film and nation-building focuses on the content of films (...
At a moment in time when Belgium, both as a signifier of a national identity and as a political cons...
De Witte (1934) by Jan Vanderheyden is commonly considered to be a milestone in the Flemish cinemati...
In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and t...
I wish to present a study of the different literature regarding national culture, African cinema and...
The role of the official film production policy in stimulating a Flemish identity forms the central ...
The purpose of this essay is to study the film culture in South Africa in a national cinema-context,...
This paper is part of the recent shift within the New Cinema History' from the attention for the fil...