The problem for Europe is to learn how to marginalise itself. (Ien Ang) CRITICS AND FILMMAKERS alike in recent years drew attention to the crisis experienced by national cinemas in European countries. The UK-based scholar Dimitris Eleftheriotis writes: This crisis is evident on many levels, from the critical-theoretical to the economic. Indeed the very term 'national cinema' is riddled with conceptual contradictions, and its theoretical, pedagogic and practical usefulness has been repeatedly challenged in recent years. But perhaps more relevant is the realization that shrinking domestic markets have become in most cases inadequate for the financial survival of national films. As a result more and more filmmakers have to rely on stat...
textIn my dissertation, I discuss three of Akın’s feature films: Im Juli (In July, 2000), Gegen die ...
In recent years, there has been an upsurge of pan-European institutions, both from within the Europe...
Thomas Elsaesser’s recent scholarship has examined the “mind-game film”, a phenomenon in Hollywood t...
The problem for Europe is to learn how to marginalise itself. (Ien Ang) CRITICS AND FILMMAKER...
The ever-elusive essence and idea of Europe are once again questioned and debated because of its mos...
The ever-elusive essence and idea of Europe are once again questioned and debated because of its mos...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
This article discusses critical parameters and historical perceptions that have dominated the academ...
A particular focus in this paper is the delicate issue of possible over-production of European films...
During the 1990s numerous significant changes took place that reshaped Europe both politically and c...
This article discusses the relationship between UK film producers and Europe, offering a historical ...
This article discusses the relationship between UK film producers and Europe, offering a historical ...
Motivation and problem definition One only needs to go to the local cinema to see the overwhelming d...
Presenting new and diverse scholarship, this wide-ranging collection of forty-three original chapter...
textIn my dissertation, I discuss three of Akın’s feature films: Im Juli (In July, 2000), Gegen die ...
In recent years, there has been an upsurge of pan-European institutions, both from within the Europe...
Thomas Elsaesser’s recent scholarship has examined the “mind-game film”, a phenomenon in Hollywood t...
The problem for Europe is to learn how to marginalise itself. (Ien Ang) CRITICS AND FILMMAKER...
The ever-elusive essence and idea of Europe are once again questioned and debated because of its mos...
The ever-elusive essence and idea of Europe are once again questioned and debated because of its mos...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
According to its editors, the aim of The Europeanness of European cinema is ‘to revisit the issue of...
This article discusses critical parameters and historical perceptions that have dominated the academ...
A particular focus in this paper is the delicate issue of possible over-production of European films...
During the 1990s numerous significant changes took place that reshaped Europe both politically and c...
This article discusses the relationship between UK film producers and Europe, offering a historical ...
This article discusses the relationship between UK film producers and Europe, offering a historical ...
Motivation and problem definition One only needs to go to the local cinema to see the overwhelming d...
Presenting new and diverse scholarship, this wide-ranging collection of forty-three original chapter...
textIn my dissertation, I discuss three of Akın’s feature films: Im Juli (In July, 2000), Gegen die ...
In recent years, there has been an upsurge of pan-European institutions, both from within the Europe...
Thomas Elsaesser’s recent scholarship has examined the “mind-game film”, a phenomenon in Hollywood t...