From the perspective of modern scholarship, Thomas D\u27Urfey is considered a minor Restoration dramatist, but his prolific career yielded at least thirty plays and several musical scores between 1676 and 1709. All of D\u27Urfey\u27s plays contain music, and his efforts promulgated the genre of musical comedy. The Comical History of Don Quixote (1694), D\u27Urfey\u27s most successful work, was the first theatrical adaptation of Cervantes\u27 novel. This thesis establishes a critical edition of D\u27Urfey\u27s text
Candace Beutell Gardner ABSTRACT THE RECEPTION OF DON QUIXOTE IN 17TH- AND 18TH- CENTURY GERMANY AND...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and app...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and appeared in Parte...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
La presente tesis doctoral consta de una edición crítica de la trilogía teatral The Comical History ...
Immensely popular in seventeenth-century Britain, the interpolated episodes of Marcela and Cardenio ...
Cervantes's Don Quixote provided English readers and writers with a plot that made visible the madne...
Watermark: Old Berkshire Mills. 1885."One hundred copies of this edition ... This is copy numbered 6...
Many musical works have been based upon Don Quixote de la Mancha, by Miguel de Cervantes Saavedra. S...
The central character of El Ingenioso Hidalgo Don Quixote de la Mancha is a literary metaphor: he is...
While most Quixote criticism has logically focused on the text itself, there has also been research ...
3 v.Each part has special t.p.; pt. 2 has imprint: London : Printed for S. Briscoe and H. Neuman, 16...
The last third of the seventeenth century witnessed the introduction of the theme of Don Juan in Eng...
Candace Beutell Gardner ABSTRACT THE RECEPTION OF DON QUIXOTE IN 17TH- AND 18TH- CENTURY GERMANY AND...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and app...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and appeared in Parte...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
Thomas D’Urfey (1653-1723) was one the most prolific Restoration playwrights, and his works covered ...
La presente tesis doctoral consta de una edición crítica de la trilogía teatral The Comical History ...
Immensely popular in seventeenth-century Britain, the interpolated episodes of Marcela and Cardenio ...
Cervantes's Don Quixote provided English readers and writers with a plot that made visible the madne...
Watermark: Old Berkshire Mills. 1885."One hundred copies of this edition ... This is copy numbered 6...
Many musical works have been based upon Don Quixote de la Mancha, by Miguel de Cervantes Saavedra. S...
The central character of El Ingenioso Hidalgo Don Quixote de la Mancha is a literary metaphor: he is...
While most Quixote criticism has logically focused on the text itself, there has also been research ...
3 v.Each part has special t.p.; pt. 2 has imprint: London : Printed for S. Briscoe and H. Neuman, 16...
The last third of the seventeenth century witnessed the introduction of the theme of Don Juan in Eng...
Candace Beutell Gardner ABSTRACT THE RECEPTION OF DON QUIXOTE IN 17TH- AND 18TH- CENTURY GERMANY AND...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and app...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and appeared in Parte...