In his book The Metaphysics of Beauty (2001) Nick Zangwill argues for the claim that aesthetic properties metaphysically necessarily depend on sensory properties. This claim plays a role in his argument against physicalist aesthetic realism as well as in the formulation of his own response- dependence view. In this article, I offer reasons to resist the aesthetic/ sensory dependence claim by a discussion of the case of theories, theorems, proofs, and similar theoretical objects, which do possess genuinely aesthetic properties, while these do not depend on any sensory properties. I argue against Zangwill’s claim that such attributions of aesthetic properties are merely metaphorical
Aesthetic properties are often thought to have either no evaluative component or an evaluative compo...
This chapter explores the claim that we can visually experience aesthetic properties (such as gracef...
In the Critique of the Power of Judgment, Kant introduces the notion of the reflective jud...
Nick Zangwill offers a nonrealist account of aesthetic properties that takes them to be dispositions...
© 2017 John Wiley & Sons Ltd Realist positions about aesthetic properties are few and far between, t...
Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic ...
This chapter examines whether there are genuine cases of aesthetic perception, and hence whether aes...
In this paper I begin by arguing that aesthetic terms cannot be used as metaphors and I end by argui...
It is shown through examples ranging from Parmenides and Plato to Whitehead and Wittgenstein that be...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that...
The aesthetic appreciation of an object is fundamentally an appreciation of certain of its propertie...
Philosophers of mind have distinguished (and sometimes conflated) various qualities. This article tr...
Response-dependence theories have historically been very popular in aesthetics, and aesthetic respon...
Aesthetic non-inferentialism is the widely-held thesis that aesthetic judgements either are identica...
Aesthetic properties are often thought to have either no evaluative component or an evaluative compo...
This chapter explores the claim that we can visually experience aesthetic properties (such as gracef...
In the Critique of the Power of Judgment, Kant introduces the notion of the reflective jud...
Nick Zangwill offers a nonrealist account of aesthetic properties that takes them to be dispositions...
© 2017 John Wiley & Sons Ltd Realist positions about aesthetic properties are few and far between, t...
Delicacy, vibrancy, garishness, and other aesthetic properties feature prominently in our aesthetic ...
This chapter examines whether there are genuine cases of aesthetic perception, and hence whether aes...
In this paper I begin by arguing that aesthetic terms cannot be used as metaphors and I end by argui...
It is shown through examples ranging from Parmenides and Plato to Whitehead and Wittgenstein that be...
My point of departure in this chapter is a claim about aesthetic properties that seems hard to deny ...
Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that...
The aesthetic appreciation of an object is fundamentally an appreciation of certain of its propertie...
Philosophers of mind have distinguished (and sometimes conflated) various qualities. This article tr...
Response-dependence theories have historically been very popular in aesthetics, and aesthetic respon...
Aesthetic non-inferentialism is the widely-held thesis that aesthetic judgements either are identica...
Aesthetic properties are often thought to have either no evaluative component or an evaluative compo...
This chapter explores the claim that we can visually experience aesthetic properties (such as gracef...
In the Critique of the Power of Judgment, Kant introduces the notion of the reflective jud...