Annelis Kuhlmann: “Memoria. A theater performance about war as present memory” This article throws light on how the theater performance, Memoria, by Odin Teatret, Denmark, deals with trauma from World War II as material, so that the actors in the theater production create a complex form of memory act on stage. The explicitly analogue form of Memoria becomes a strength through the bodily presence between actors and spectators. The increasing absence of speech forms a symbolic thread in the witnessing of the war
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
David Hasberg Zirak-Schmidt: “All is true! Memory, Oblivion and History in Shakespeare and Fletcher’...
Fjell fortress is a fortification on the island of Sotra, in the Øygarden Municipality. The fortress...
Odin Teatret’s Memoria (1990) centres round an actor’s conflict with the act of remembering. In this...
The issue of memory wars relates both to the political violence and armed conflicts of the past and ...
We discuss how theatre production and radio play engage with the Finnish social and political realit...
Historical Narratives and Contemporary Sweden in Theatre for Young Audiences. Eyewitnesses as Trauma...
The article analyses reconciliatory practices on war remembrance that draw from the imaginary of the...
Cultural memory is the starting point for studying culture. Theatre, on the other hand, is a multidi...
Linda Maria Koldau: “The Sound of War, the Music of War”The article shows how the aural dimension of...
Solveig Gade: “Simulated Theaters of War. On Rimini Protokoll and Harun Farocki’s explosion of the t...
Please follow the DOI link at the top of this record to navigate to the official published version o...
In 1942 Vilhelm Moberg’s (1898–1973) highly successful historical novel Ride This Night! (1941) was ...
“Fall in line” is a military command used when the American Civil War is reenacted in Scandinavia, o...
The study follows the tradition of Cultural Studies, with a special interest in visual culture, and ...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
David Hasberg Zirak-Schmidt: “All is true! Memory, Oblivion and History in Shakespeare and Fletcher’...
Fjell fortress is a fortification on the island of Sotra, in the Øygarden Municipality. The fortress...
Odin Teatret’s Memoria (1990) centres round an actor’s conflict with the act of remembering. In this...
The issue of memory wars relates both to the political violence and armed conflicts of the past and ...
We discuss how theatre production and radio play engage with the Finnish social and political realit...
Historical Narratives and Contemporary Sweden in Theatre for Young Audiences. Eyewitnesses as Trauma...
The article analyses reconciliatory practices on war remembrance that draw from the imaginary of the...
Cultural memory is the starting point for studying culture. Theatre, on the other hand, is a multidi...
Linda Maria Koldau: “The Sound of War, the Music of War”The article shows how the aural dimension of...
Solveig Gade: “Simulated Theaters of War. On Rimini Protokoll and Harun Farocki’s explosion of the t...
Please follow the DOI link at the top of this record to navigate to the official published version o...
In 1942 Vilhelm Moberg’s (1898–1973) highly successful historical novel Ride This Night! (1941) was ...
“Fall in line” is a military command used when the American Civil War is reenacted in Scandinavia, o...
The study follows the tradition of Cultural Studies, with a special interest in visual culture, and ...
The purpose of this article is to study how a reminiscence theatre production develops dramaturgical...
David Hasberg Zirak-Schmidt: “All is true! Memory, Oblivion and History in Shakespeare and Fletcher’...
Fjell fortress is a fortification on the island of Sotra, in the Øygarden Municipality. The fortress...