Reviews of arts and culture are typically focused on legitimate forms of art rather than popular and consumer culture. Looking beyond such institutionalized reviews, this article inquires into the online-native, bottom-up forms of reviewing. The aim is to identify user-generated reviews of popular cultural objects, defined through the user reviewers’ position as cultural consumers and the size of their audiences. The objects of study are YouTube channels that include a regular output of review videos. First, the 5,000 most-subscribed channels are analysed to identify content creators who establish a relationship to cultural objects. Second, types of reviewing are identified, and the methods and boundaries of ‘vernacular reviewing’ are discu...
Most online retail websites provide consumers the opportunity to elicit feedback about products and ...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
This chapter sets out the debates about the changing role of audiences in relation to user-created c...
This article provides a genre analytical approach to creating a typology of the User Generated Conte...
This review essay will first examine the commonly accepted history of YouTube and how people have de...
Online reviews assist consumers in making an informed purchase decision and they became a trusted so...
Purpose: Cultural intermediaries define the standards many consumers use when evaluating cultural pr...
YouTube has grown to become the largest and most highly visited online video-sharing service, and in...
This paper is concerned with a subsection of film critic on YouTube, referred to within this thesis ...
Cultural organizations are categorized by cultural products (high or popular culture) and by organiz...
Cultural organizations are categorized by cultural products (high or popular culture) and by organiz...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
The increased use of the Internet since the late 1990s has had a large impact on how arts and cultur...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
While scholars have paid much attention to YouTube in a Web 2.0 environment, the YouTube blockbuster...
Most online retail websites provide consumers the opportunity to elicit feedback about products and ...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
This chapter sets out the debates about the changing role of audiences in relation to user-created c...
This article provides a genre analytical approach to creating a typology of the User Generated Conte...
This review essay will first examine the commonly accepted history of YouTube and how people have de...
Online reviews assist consumers in making an informed purchase decision and they became a trusted so...
Purpose: Cultural intermediaries define the standards many consumers use when evaluating cultural pr...
YouTube has grown to become the largest and most highly visited online video-sharing service, and in...
This paper is concerned with a subsection of film critic on YouTube, referred to within this thesis ...
Cultural organizations are categorized by cultural products (high or popular culture) and by organiz...
Cultural organizations are categorized by cultural products (high or popular culture) and by organiz...
Since launching as a website for everyday video-sharing in 2005, YouTube has become one of the world...
The increased use of the Internet since the late 1990s has had a large impact on how arts and cultur...
YouTube has come to epitomize the possibilities of digital culture. With more than seventy million u...
While scholars have paid much attention to YouTube in a Web 2.0 environment, the YouTube blockbuster...
Most online retail websites provide consumers the opportunity to elicit feedback about products and ...
YouTube is one of the most well-known and widely discussed sites of participatory media in the conte...
This chapter sets out the debates about the changing role of audiences in relation to user-created c...