Add to ORKGThis article discusses whether or not the documentary on the 1936 Summer Olympic Games entitled Olympia was more than just a very well made sports film, but produced with the purpose of promoting Nazi propaganda for national socialism
This article discusses the significance of the documentary genre in theconstruction of the image of H...
Riefenstahl's career is examined through criticism which only allows two images: Riefenstahl as a Na...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
Conference paper given at International History of Public Relations Conference 6-7 July 2016 Univers...
“No nation since ancient Greece has captured the true Olympic Spirit as has Germany.” – Avery Brunda...
Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the ...
This dissertation examines the impact of viewing images in motion compared to when static. This is a...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
The Berlin Summer Olympic Games of 1936 allowed the world its first comprehensive insight into the p...
The Berlin Summer Olympic Games of 1936 allowed the world its first comprehensive insight into the p...
The aim of this article is to show that readings of Riefenstahl as an artistic genius with full cont...
Ausdruckstanz and the theme of athleticism is seen and symbolically placed in Leni Riefenstahl’s Oly...
Graduate student conference held December 4-5, 2009 at the University of British Columbia. Plenary a...
The Nazis utilized the Berlin Olympics of 1936 as anti-Semitic propaganda within their racial ideolo...
This article discusses the significance of the documentary genre in theconstruction of the image of H...
Riefenstahl's career is examined through criticism which only allows two images: Riefenstahl as a Na...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
Conference paper given at International History of Public Relations Conference 6-7 July 2016 Univers...
“No nation since ancient Greece has captured the true Olympic Spirit as has Germany.” – Avery Brunda...
Leni Riefenstahl’s Triumph of the Will is rightly considered a massive technical achievement in the ...
This dissertation examines the impact of viewing images in motion compared to when static. This is a...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
The Berlin Summer Olympic Games of 1936 allowed the world its first comprehensive insight into the p...
The Berlin Summer Olympic Games of 1936 allowed the world its first comprehensive insight into the p...
The aim of this article is to show that readings of Riefenstahl as an artistic genius with full cont...
Ausdruckstanz and the theme of athleticism is seen and symbolically placed in Leni Riefenstahl’s Oly...
Graduate student conference held December 4-5, 2009 at the University of British Columbia. Plenary a...
The Nazis utilized the Berlin Olympics of 1936 as anti-Semitic propaganda within their racial ideolo...
This article discusses the significance of the documentary genre in theconstruction of the image of H...
Riefenstahl's career is examined through criticism which only allows two images: Riefenstahl as a Na...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...