Upotreba polimetrije u skladbama W.A. Mozarta na primjeru Kvarteta za obou i gudače KV 370

U radu je u okviru analize trećeg stavka Kvarteta za obou, violinu, violu i violončelo u F duru KV 370 (368b) Wolfganga Amadeusa Mozarta opisan pojam polimetrije i njezino pojavljivanje u glazbi razdoblja klasicizma. Nakon srednjovjekovne glazbe i renesansne vokalne glazbe, analizirani primjer polimetrije rijetko se susreće. U instumentalnoj glazbi, polimetrija se najviše veže uz razdoblja i stilove glazbe 20. stoljeća, jazz glazbu i suvremenu glazbu te se ne navodi kao jedna od karakteristika glazbe klasicizma.In the analysis of the third movement of the Quartet for Oboe, Violin, Viola and Cello in F major KV 370 (368b) by Wolfgang Amadeus Mozart, the term polymetry and its appearance in the music of the period of classicism is described. After medieval music and Renaissance vocal music, examples such as this analyzed example of polymetry are rarely encountered. In instrumental music, polymetry is most associated with periods and styles of 20th century music, jazz music and contemporary music, and is not cited as one of the characteristics of classical music